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THE NUCLEAR FAMILY 19769
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THE
MAGICALALPHABET
.........
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|
|
|
|
|
THE RAINBOW LIGHT |
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
|
|
|
|
|
7 |
RAINBOW |
82 |
37 |
|
|
|
|
|
5 |
LIGHT |
56 |
29 |
|
|
|
|
|
|
|
171 |
81 |
9 |
|
|
1+4 |
|
1+5 |
|
1+7+1 |
8+1 |
|
|
|
|
|
|
|
|
|
|
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THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
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THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Midway this way of life we're bound upon
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone."
M |
= |
4 |
- |
6 |
MIDWAY |
75 |
30 |
3 |
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAY |
49 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
W |
= |
5 |
- |
4 |
WE'RE |
51 |
24 |
6 |
B |
= |
2 |
- |
5 |
BOUND |
56 |
20 |
2 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
- |
- |
30 |
- |
32 |
- |
406 |
163 |
28 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
4 |
WOKE |
54 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
F |
= |
6 |
- |
4 |
FIND |
33 |
24 |
6 |
M |
= |
4 |
- |
6 |
MYSELF |
80 |
26 |
8 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
4 |
DARK |
34 |
16 |
7 |
W |
= |
5 |
- |
4 |
WOOD |
57 |
21 |
3 |
- |
- |
45 |
- |
28 |
- |
326 |
137 |
56 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
5 |
RIGHT |
62 |
35 |
8 |
R |
= |
9 |
- |
4 |
ROAD |
38 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAS |
43 |
7 |
7 |
W |
= |
5 |
- |
6 |
WHOLLY |
95 |
32 |
5 |
L |
= |
3 |
- |
4 |
LOST |
66 |
12 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
4 |
GONE |
41 |
23 |
5 |
- |
- |
46 |
- |
37 |
- |
456 |
186 |
42 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
121 |
- |
97 |
First Total |
|
|
|
- |
- |
1+2+1 |
- |
9+7 |
Add to Reduce |
1+1+8+8 |
4+8+6 |
1+2+6 |
Q |
- |
4 |
|
16 |
Second Total |
|
|
|
- |
- |
- |
|
1+6 |
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
4 |
- |
|
Essence of Number |
|
|
9 |
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Power failed high fantasy here; yet, swift to move
Even as a wheel moves equal, free from jars,
Already my heart and will were wheeled by love,
The Love that moves the sun and other stars."
P |
= |
7 |
- |
5 |
POWER |
77 |
32 |
5 |
F |
= |
6 |
- |
6 |
FAILED |
37 |
28 |
1 |
H |
= |
8 |
- |
4 |
HIGH |
32 |
32 |
5 |
F |
= |
6 |
- |
7 |
FANTASY |
86 |
23 |
5 |
H |
= |
8 |
- |
4 |
HERE |
36 |
27 |
9 |
Y |
= |
7 |
- |
3 |
YET |
50 |
14 |
5 |
S |
= |
1 |
- |
5 |
SWIFT |
77 |
23 |
5 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
M |
= |
4 |
- |
4 |
MOVE |
55 |
19 |
1 |
- |
- |
49 |
- |
40 |
First Total |
|
|
|
- |
- |
4+9 |
- |
4+0 |
Add to Reduce |
4+8+5 |
2+0+6 |
4+4 |
Q |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
1+3 |
- |
- |
Reduce to Deduce |
1+7 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
E |
= |
5 |
- |
4 |
EVEN |
46 |
19 |
1 |
A |
= |
1 |
- |
2 |
AS |
20 |
2 |
2 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
W |
= |
5 |
- |
5 |
WHEEL |
53 |
26 |
8 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
E |
= |
5 |
- |
5 |
EQUAL |
56 |
20 |
2 |
F |
= |
6 |
- |
4 |
FREE |
34 |
25 |
7 |
F |
= |
6 |
- |
4 |
FROM |
52 |
25 |
7 |
J |
= |
1 |
- |
4 |
JARS |
48 |
12 |
3 |
- |
- |
34 |
- |
34 |
First Total |
|
|
|
- |
- |
3+4 |
- |
3+4 |
Add to Reduce |
3+8+4 |
1+5+0 |
3+3 |
Q |
- |
|
- |
7 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+5 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
7 |
ALREADY |
66 |
30 |
3 |
M |
= |
4 |
- |
2 |
MY |
38 |
11 |
2 |
H |
= |
8 |
- |
5 |
HEART |
52 |
25 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
W |
= |
5 |
- |
4 |
WILL |
56 |
20 |
2 |
W |
= |
5 |
- |
4 |
WERE |
51 |
24 |
7 |
W |
= |
5 |
- |
7 |
WHEELED |
62 |
35 |
8 |
B |
= |
2 |
- |
2 |
BY |
27 |
9 |
9 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
- |
- |
34 |
- |
38 |
First Total |
|
|
|
- |
- |
3+4 |
- |
3+8 |
Add to Reduce |
4+2+5 |
1+8+2 |
4+7 |
Q |
- |
|
- |
11 |
Second Total |
|
|
|
- |
- |
- |
- |
1+1 |
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
3 |
SUN |
54 |
9 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
O |
= |
6 |
- |
5 |
OTHER |
66 |
30 |
3 |
S |
= |
1 |
- |
5 |
STARS |
77 |
14 |
5 |
- |
- |
22 |
- |
35 |
First Total |
|
|
|
- |
- |
2+2 |
- |
3+5 |
Add to Reduce |
4+5+9 |
1+4+4 |
4+5 |
Q |
- |
|
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
7 |
MESSAGE |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
3 |
S+A+G |
27 |
18 |
9 |
1 |
E |
5 |
5 |
5 |
7 |
MESSAGE |
69 |
42 |
24 |
14 |
Add |
162 |
81 |
36 |
1+4 |
Reduce |
1+6+2 |
8+1 |
3+6 |
5 |
Deduce |
9 |
9 |
9 |
GOD WITH US AND US WITH GOD
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
4 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
|
2 |
|
40 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
|
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+2+6 |
4+5 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
7 |
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
5 |
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US 123456789 987654321 US WITH GOD
4 |
|
45 |
18 |
|
1 |
|
9 |
9 |
|
5 |
|
54 |
27 |
|
|
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+0+8 |
5+4 |
2+7 |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
45 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
9+9 |
4+5 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
45 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
9+9 |
4+5 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
- |
- |
- |
A |
1 |
1 |
1 |
|
|
20 |
2 |
|
|
|
12 |
3 |
|
|
|
13 |
4 |
|
|
|
5 |
5 |
|
|
F |
6 |
6 |
|
- |
Y |
25 |
7 |
7 |
|
H |
8 |
8 |
|
|
I |
9 |
9 |
|
|
|
- |
- |
- |
|
|
- |
- |
- |
9 |
Add to Reduce |
99 |
45 |
45 |
- |
Reduce to Deduce |
9+9 |
4+5 |
4+5 |
9 |
Essence of Number |
18 |
9 |
9 |
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1 |
- |
R |
= |
9 |
6 |
RE ATUM |
78 |
24 |
6 |
- |
1 |
2 |
- |
S |
= |
1 |
3 |
SHU |
48 |
12 |
3 |
- |
2 |
3 |
|
T |
= |
2 |
6 |
TEFNUT |
86 |
23 |
5 |
|
3 |
4 |
- |
G |
= |
7 |
3 |
GEB |
14 |
14 |
5 |
- |
4 |
5 |
- |
N |
= |
5 |
3 |
NUT |
55 |
10 |
1 |
- |
5 |
6 |
- |
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
- |
6 |
7 |
- |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
- |
7 |
8 |
|
S |
= |
1 |
3 |
SET |
44 |
8 |
8 |
|
8 |
9 |
- |
N |
= |
5 |
8 |
NEPHTHYS |
115 |
43 |
7 |
- |
9 |
|
- |
- |
- |
45 |
42 |
First Total |
|
|
|
- |
|
4+5 |
- |
- |
- |
4+5 |
|
Add to Reduce |
5+8+5 |
1+8+9 |
4+5 |
- |
4+5 |
|
|
|
|
|
6 |
Second Total |
|
|
|
|
|
- |
- |
- |
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
|
- |
- |
- |
9 |
6 |
Essence of Number |
|
|
|
- |
|
3 |
THE |
33 |
15 |
6 |
5 |
ENNEA |
39 |
21 |
3 |
|
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
7+2 |
3+6 |
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
8 |
THE ENNEA |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
2 |
RA |
19 |
10 |
1 |
A |
= |
1 |
- |
4 |
ATUM |
55 |
10 |
1 |
S |
= |
1 |
- |
3 |
SHU |
48 |
12 |
3 |
T |
= |
2 |
- |
6 |
TEFNUT |
86 |
23 |
5 |
G |
= |
7 |
- |
3 |
GEB |
14 |
14 |
5 |
N |
= |
5 |
- |
3 |
NUT |
55 |
10 |
1 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
- |
3 |
SET |
44 |
8 |
8 |
N |
= |
5 |
- |
8 |
NEPHTHYS |
115 |
43 |
7 |
46 |
- |
- |
- |
42 |
|
|
|
|
4+6 |
- |
- |
- |
4+2 |
|
5+8+1 |
2+2+1 |
4+1 |
10 |
- |
- |
- |
6 |
|
|
|
|
1+0 |
- |
- |
- |
|
|
1+4 |
- |
- |
1 |
- |
- |
- |
6 |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
|
55 |
10 |
|
- |
- |
- |
- |
3 |
SHU |
48 |
12 |
|
- |
- |
- |
- |
6 |
TEFNUT |
86 |
23 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8+9 |
4+5 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8 |
|
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
8 |
THE ENNEA |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
2 |
RE |
23 |
14 |
5 |
A |
= |
1 |
- |
4 |
ATUM |
55 |
10 |
1 |
S |
= |
1 |
- |
3 |
SHU |
48 |
12 |
3 |
T |
= |
2 |
- |
6 |
TEFNUT |
86 |
23 |
5 |
G |
= |
7 |
- |
3 |
GEB |
14 |
14 |
5 |
N |
= |
5 |
- |
3 |
NUT |
55 |
10 |
1 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
- |
3 |
SET |
44 |
8 |
8 |
N |
= |
5 |
- |
8 |
NEPHTHYS |
115 |
43 |
7 |
46 |
- |
- |
- |
42 |
|
|
|
|
4+6 |
- |
- |
- |
4+2 |
|
5+8+5 |
2+2+5 |
4+5 |
10 |
- |
- |
- |
6 |
|
|
|
|
1+0 |
- |
- |
- |
|
|
1+8 |
- |
- |
1 |
- |
- |
- |
6 |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
|
55 |
10 |
|
- |
- |
- |
- |
3 |
SHU |
48 |
12 |
|
- |
- |
- |
- |
6 |
TEFNUT |
86 |
23 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8+9 |
4+5 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8 |
|
|
- |
- |
- |
- |
|
|
|
|
|
1 |
- |
R |
= |
9 |
6 |
RE ATUM |
78 |
24 |
6 |
- |
1 |
2 |
- |
S |
= |
1 |
3 |
SHU |
48 |
12 |
3 |
- |
2 |
3 |
|
T |
= |
2 |
6 |
TEFNUT |
86 |
23 |
5 |
|
3 |
4 |
- |
G |
= |
7 |
3 |
GEB |
14 |
14 |
5 |
- |
4 |
5 |
- |
N |
= |
5 |
3 |
NUT |
55 |
10 |
1 |
- |
5 |
6 |
- |
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
- |
6 |
7 |
- |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
- |
7 |
8 |
|
S |
= |
1 |
3 |
SET |
44 |
8 |
8 |
|
8 |
9 |
- |
N |
= |
5 |
8 |
NEPHTHYS |
115 |
43 |
7 |
- |
9 |
|
- |
- |
- |
45 |
42 |
First Total |
|
|
|
- |
|
4+5 |
- |
- |
- |
4+5 |
|
Add to Reduce |
5+8+5 |
1+8+9 |
4+5 |
- |
4+5 |
|
|
|
|
|
6 |
Second Total |
|
|
|
|
|
- |
- |
- |
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
|
- |
- |
- |
9 |
6 |
Essence of Number |
|
|
|
- |
|
THE
LIVING GODS ENERGIES GODS LIVING
DIVINE THOUGHT THOUGHT DIVINE
THE
CREATORS
R LIGHT PERFECT CREATORS I ME I ME I CREATORS PERFECT LIGHT R
SECRET CHAMBERS
Robert Bauval
1
999
Page 87/ 88
" Let us examine this / 'Mound' more closely. At the top of the Mound in Fig. 10 are two symbols, one a human head and the other a bell-shaped object (identified, as we have seen earlier, as an omphalos or sacred geodetic marker) which is flanked by two kites.133 The two kites, according to Egyptologist George Hart, symbolise the goddesses Isis and Nephtys134 - again a pictorial depiction of what is in the Shabaka text. Rundle Clark explains further by saying that the omphalos-shaped object is yet another hieroglyphic sign to denote the Primeval Mound.I35 As for the human head that crowns the Pyramid/Mound, the hieroglyphic texts that accompany it state that this is 'the flesh of Isis who is above the sand of the land of Sokar,.I36 Now the name of Isis, like that of Osiris, is a Grecian derivative. The true name of the goddess in the ancient Egyptian language is Ast, which in its oldest form was written with two signs, one of which was a 'throne'. We can now see that the 'throne' of Isis, the omphalos-shaped object and the 'throne' and 'eye' of Osiris all merge in the complex symbolism of the Primeval Mound and, by extension, also of the original Benben/Pyramidion capstone. The star sirius, as we shall see later, is also representative of Isis, and could also be interchanged with these symbols at the top of the 'Mound'. But there is more. according to George Hart again, the Pyramid/Mound is representative of the desert 'tomb of Osiris', i.e. the 'burial place of Osiris' in the 'House of Sokar' in Rostau (i.e. Giza).137 it thus follows that the stepped- pyramid/Mound in which lies the recumbent hawk-headed figure is representative of the 'tomb of Osiris-Sokar' at giza. As for the huge recumbent sphinx called Aker which protects this 'tomb', we have already seen how many agree that it represents the Great Sphinx of Giza (i.e. Rostau). The overall conclusion is thus inevitable: the Egyptians, from the earliest of times, believed that somewhere underneath the bed- rock of Giza, and more specifically somewhere underneath the area where the Great Sphinx stands, was to be found the 'tomb of Osiris'.
Intriguingly, however, all these depictions and interchanging symbols are also extremely suggestive that this tomb is in the form of a pyramidal structure or 'Mound'. Could it not be that the various connections between the 'throne of Isis', the idea of a 'star' and the symbol of the Benben may, in themselves, also point to another secret chamber concealed within the core of the Great Pyramid or Simon Cox's 'Mound'? We shall review the evidence which leads to such an exciting conclusion for the Great Pyramid later on. Meanwhile the reader should also bear in mind that we shall also later see how [1] the goddess Isis was herself identified with the star Sirius whose hieroglyphic name, 'Sept', is composed of the signs denoting a Benben and a 'five-pointed star'; [2] / Page 89 / how the Benben and the five-pointed star meet up in the 'missing' capstone of the Great Pyramid of Giza; and [3] how the southern shaft of the Queen's Chamber in the Pyramid was not only directed to Sirius but that at its end, two hundred feet deep into the heart of the Pyramid, lies a small 'door' which many believe could lead to a secret chamber.
In the meantime I was faced with a web of tantalising and complex ideas which although they were floating next to each other in my mind, nonetheless lacked that catalyst I needed to bring them together. Yet at the same time I could not shake off the strong feeling that here, in this strong brew of symbols, was the rudiments of an arcane 'message' which, like the proverbial X on a treasure map, seemed to mark the location of the Fifth Division of the 'Duat', i.e. the House of Sokar, somewhere. in the Giza necropolis. As strange as it seemed, it was as if I was being 'guided' by the star Sirius whose rays, as it were, illuminated the deep and dormant recesses of my memory. But how could this be? Why did such strange and 'far out' ideas trouble my mind? And why, too, was I making an almost unconscious association of that star with the 'missing' capstone of the Great Pyramid? It did not make any sense. Yet to another side of my mind, a side that responded not with the limitation of the rational process but rather with the intuitive and creative faculties, it did seem to make 'sense'. Was I perhaps being made receptive, in some strange and inexplicable way, to some powerful subliminal message that was locked in the symbolic stellar lore of the ancient Pyramid builders and their cultic images? A 'message' which was not primarily intended for me or indeed for anyone else today, but had been long ago aimed at primed initiates of the Heliopolitan cult? Was I the unsuspecting victim - or beneficiary - of a devastatingly powerful Hermetic device?
It was at that point of impasse in my investigation that I suddenly remembered the so-called 'wider plan' of the star correlation theory presented in my first book, The Orion Mystery. In a section of that book termed 'Signpost to the Benben Stone', I had shown how the vast region which encompassed the Giza necropolis, the temple of Heliopolis and a third site known as the Khem (the Letopolis of the Greeks)138 together defined over the landscape a huge 'Pythagorian' right-angled triangle (see Figs 16 and 19).139 Let us note in passing that the name Khem is extremely reminiscent of the name 'Khemmis', the latter being the place on the west bank of the Nile in the Delta region where, according to Egyptian mythology, Isis gave birth to Horus. 140 I had also suggested that the three corners of this 'Pythagorian' triangle were probably specifically and deliberately marked by [1] the apex of the Great Pyramid; [2] the apex of the Heliopolitan 'Mound' (the Benben); and [3] the apex of a / (page 90 Figure16 0mitted) / Page 91/ tower that had apparently once stood at Khem-Letopolis.141 Much in this curious geometrical arrangement was suggestive that the link between these three sites provided a sort of giant 'signpost' that led to the entrance of the Great Pyramid and, ultimately, through the narrow shafts shooting skywards toward 'the place where Orion is' which the Pyramid Texts tell us is where the 'gates of the Duat', i.e. Rostau, could to be found142:
I shall not be turned back at the gates of the Duat. I ascend to the sky with Orion
. . . I am one who collects for himself his efflux in front of Rostau . . .143
You will ascend to the sky. . . you being seated upon your iron throne. . . you have traversed the Winding Waterway in the north of the sky as a star. . . the Duat has grasped your hand at the place where Orion is. . .144
In this ground plan, furthermore, I had shown how the Great Pyramid itself represented a star in Orion's belt, Zeta Orionis, and how Khem- Letopolis probably represented the corresponding position of the star Sirius near the west banks of the Milky Way.145 With these thoughts in mind, I also recalled a statement made by the French Egyptologist George Goyon in connection with the Great Pyramid which now, in the light of what has just been said, took on a new and eerie significance. 'The monument,' Goyon had written, 'was placed under the stellar protection of the god Horus. . .,146We shall see later how the 'star' of Horus was, in actual fact, also the star Sirius. Suffice at this stage to mention that in the ancient Pyramid Texts, as well as in all other religious literature of ancient Egypt, the stellar Horus was said to have been born from the 'womb of Sothis', the name given by the Greeks of Egypt to Isis-Sirius. 147 In The Orion Mystery there is an appendix entitled 'The Survival of the Star Religion' where I presented a detailed analysis on how in ancient Egyptian texts - such as the Carsberg I Papyrus, for example - the apparent nine-months (273 days) cycle of the star Sirius measured from its meridian passage was likened to the gestation cycle of the human foetus - which led me to conclude that the 'seeding of the womb of the goddess Sirius-Isis' mentioned in the Pyramid Texts was probably imagined to take place when Sirius was observed at the south meridian at dawn.148 During the Pyramid Age this important event occurred, incidentally, some twenty days before the autumn equinox when the sun was right on top of the 'scales' of the zodiacal constellation of Libra. 149 The zodiacal constellation of Libra was almost certainly associated with the cosmic 'scales' often seen in funerary vignettes depicting the so- called Judgement Scene of the 'weighing of the heart' and where Osiris is / Page 92 / shown seated upon his throne flanked by Isis and Nephtys.150 The alignment of Sirius with the meridian axis of the Great Pyramid and also the southern shaft of the Queen's Chamber thus created a powerful sky- ground ritualistic setting for the 'seeding of the womb of Isis' with the embryo of the future Horus-king.151 I thus postulated that this was a powerful king-making ritual which during the Pyramid Age may well have been enacted inside the Queen's Chamber of the Great Pyramid with an ithyphallic statue of the king (or perhaps even his mummy) placed in front of the opening of the southern shaft.152 And it was this very shaft, as we have said, that led to a 'door' deep within the core of the Pyramid...
The probability for the existence of a secret chamber - or even a second one - at Giza, under the Sphinx or inside the Great Pyramid, is very high indeed. But assuming that secret chambers do exist at Giza, concealed there by the original builders of that site, then what would be their purpose? What cargo could be so precious, so obsessively important to preserve, which could induce a people to undertake such a vast and mind-boggling construction enterprise? What could possibly have been considered so valuable, so meaningful, so vitally necessary to posterity, to have it guarded by such a mighty memorial?
One word springs to mind: 'knowledge'. The knowledge of Thoth.
According to the most conservative estimates, there are 4500 years that separate us from the supposed construction of the Giza necropolis. Could the system of knowledge of those ancients who planned Giza have somehow survived through this immense period of time? And was it inscribed, as all the ancient texts suggest, on tablets and slabs by the hand of the god Thoth himself? Are these safely preserved in hermetically sealed rooms? And, more importantly, is there tangible or scientific evidence to verify such a hypothesis? Has anyone tried? Who? And what have they found?
Yet before we tackle these provocative questions, we need to see how a substantial portion of this legendary 'knowledge' might have been transmitted across the ages through another route - one so well concealed that it has hitherto escaped the attention of the Egyptologists and historians altogether. Concealed, I will suggest, in a 'place' that no one can reach with spade, scalpel or radar, but only through an initiatory process that the 'knowledge' was designed for. Because not all knowledge, as the ancient master initiates knew so well, is something that one merely recorded in books and inscriptions; rather, true knowledge was better 'deposited' in a much vaster crucible and far more sophisti- cated device at their disposal: the memory of man. As we shall now see, / Page 93 /such powerful ideas may, indeed, have been preserved by inserting them, like some archaic intellectual microchip, deep into the body of new belief systems and promising religious and intellectual movements, in order for them to be carried forward through periods of danger and tribulations. And when the 'time was right and good', these ancient ideas could be reawakened from their millennial slumber."
Page 87
A clue is given by Wallis Budge in his description of the combined god Osiris-Sokar 'in which he appears as a hawk-headed mummy'.
Here we see Sokar-Osiris lying on a catafalque or bed the base of which is shaped like the Aker lion; on one side of the bed stands the goddess Isis, and on the other side Nephtys
Page 91
"Horus was said to have been born from the 'womb of Sothis', the name given by the Greeks of Egypt to Isis-Sirius"
6 |
OSIRIS |
89 |
35 |
8 |
5 |
SOKAR |
64 |
19 |
1 |
11 |
OSIRIS SOKAR |
153 |
54 |
9 |
- |
- |
1+5+3 |
5+4 |
- |
11 |
OSIRIS SOKAR |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
HORUS |
81 |
27 |
9 |
6 |
SOTHIS |
90 |
27 |
9 |
11 |
HORUS SOTHIS |
171 |
54 |
18 |
|
|
1+7+1 |
5+4 |
1+8 |
11 |
HORUS SOTHIS |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
ORIONIS |
99 |
45 |
9 |
SECRET CHAMBER
THE QUEST FOR THE HALL OF RECORDS
Robert Bauval
1
999
Page 346
A MASTER-PLAN FOR THE THREE PYRAMIDS OF GIZA
BASED ON THE CONFIGURATION OF THE THREE STARS OF THE BELT OF ORION
"The Pyramid Texts embody the remnants of a well-structured star-cult, the main theme of which was the transfiguration of the dead pharaohs into stars <1>. Examination of the Pyramid Texts reveals that the dominant stars of this cult were those of the constellation of Orion. The special attention given to Orion can be understood in several ways: it is the most striking of the constellations, in the archaic Period, it happened to rise in midsummer at dawn (c.2600 BC), as though a celestial herald of the forthcoming yearly nilotic flood. Consequently, the appearance of Orion after a prolongued period of 'invisibility' was taken as the celestial event preluding a new season of rejuvenation and growth of nature as a whole. Mythologically, Orion was thus seen as the celestial representation of Osiris, the god of rebirth/resurrection, and with whom all the dead pharaohs, as star-gods, were identified <2>. Thus the Pyramid Texts proclaim: 'Behold, he has come as Orion, behold Osiris has come as Orion...O king, the sky conceives you with Orion, the dawn-light bears you with Orion, you will regularly ascend with Orion from the eastern region of the sky, you will regularly descend with Orion into the western region of the sky...' (pyr.820-822). 'O king, you are this great star, the companion of Orion, who traverses the sky with Orion, who navigates the Netherworld with Osiris, you ascend from the east of the sky, being renewed in your due season, and rejuvenated in your due time.' (pyr.882). 'Live, be alive! Be young beside your father, beside Orion in the sky...' (pyr. 2180).<3>.
The Egyptian knew Orion under the name of 'Sah'. They imagined 'Sah' as a male anthropomorphic figure undoubtedly representing Osiris. Several drawings of 'Sah' dating from the New Kingdom are known, notably from the tomb of Senmut (south hall ceiling), where 'Sah' is depicted as a man standing on a boat, holding the Ankh symbol in one hand and a staff in the other, above his head are three large stars in a row, the topmost star slightly deviated to the left (see plates)<4>. There can be little doubt that these three stars are Zeta, Epsilon and Delta Orionis -the Belt Of Orion- which form the same characteristic pattern at the centre of the constellation <5>. It is to be noted that this pattern has not perceptibly changed since the time of the Pyramid Age (c.2700 BC-2150 BC). This is because these three stars are well-over 1000 light-years away, and consequently no proper motion is normally registered for them. In any case, any undetected annual proper motion would probably be below the l/lOOOth of a second level, thus far too small for the span of time considered to cause any perceptible change in the pattern of the three stars <6>. In short, the characteristic pattern formed by the three stars of the belt of Orion appears the same to us as it did to the Egyptians who built the Great Pyramid (c.2600 BC).
7 |
ORIONIS |
- |
- |
- |
- |
O |
15 |
6 |
6 |
- |
R |
18 |
9 |
9 |
- |
I |
9 |
9 |
9 |
- |
ON |
29 |
11 |
2 |
- |
I |
9 |
9 |
9 |
- |
S |
19 |
10 |
1 |
7 |
ORIONIS |
99 |
54 |
9 |
- |
Add to Reduce |
9+9 |
5+4 |
- |
- |
Second Total |
18 |
9 |
9 |
- |
Add to Deduce |
1+8 |
- |
- |
7 |
ORIONIS |
9 |
9 |
9 |
OXFORD DICTIONARY OF ASTRONOMY
Ian Redpath
1997
Page 52
"Betelgeuse The star AlphaOrionis, the tenth-brightest star in the sky. It is an M2 supergiant and a semiregular variable, fluctuating between magnitudes 0.0 and 1.3 in a period of several years, with an average magnitude of 0.5. Its distance and luminosity are poorly determined. Some estimates place it around 400 l.y. away, much closer than the stars in the Orion Association, with a luminosity 5000 times the Sun's. But if it is at the same distance as the Orion Nebula, 1400 1.y., its true luminosity would be over 50000 times the Sun's. Betelgeuse is an extremely large star, hundreds of times the diameter of the Sun. Its variations in brightness occur as it swells and contracts in size.
Page 341
"Orion (abbr. Ori, gen. Orionis) A magnificent constellation on the celestial equator, representing a great hunter of Greek mythology. Orion is outlined by the prominent stars *Betelgeuse (Alpha Orionis), *Rigel (Beta Orionis, the / Page 342 / Orion Arm 342
constellation's brightest star), *Bellatrix (GammaOrionis), and *Saiph (Kappa Orionis). A line of three stars, * Alnilam (Epsilon Orionis), * Alnitak (Zeta Orionis). and *Mintaka (Delta Orionis), make up the Belt of Orion. The famous *Orion Nebula, M42, contains the multiple star known as the *Trapezium. On the southern edge of the Orion Nebula is the double star Iota Orionis, magnitudes 2.8 and 6.9. North of the Orion Nebula is another bright nebula, NGC 1977, and
further north again is the 5th-magnitude open cluster NGC 1981. 'Phis complex of nebulosity and clusters forms the Sword of Orion, hanging from Orion's belt.
Sigma Orionis is an impressive multiple star of magnitudes 3.8, 6.6, 6.7, and 8.8. Eta Orionis is a close double, magnitudes 3.8 and 4.8. The dark *Horsehead Nebula intrudes into a faint strip of nebulosity, IC 434, which runs south of Alnitak. The *Orionid meteors radiate from the constellation every October.
Orion Arm The local spiral arm of our Galaxy. The Sun lies near its inner edge, that is, towards the galactic centre. All the main naked eye stars are part of the Orion arm, including those of Orion itself, The arm stretches towards Cygnus in one direction, and towards Puppis and Vela in the opposite direction. Features in the Orion Arm include the *Gum Nebula, the *Orion Nebula, the *North America Nebula, the *Cygnus Loop, and the *Great Rift. The Orion arm was once thought to be a connecting link between larger structures in our Galaxy; hence it is sometimes also known as the Orion Spur.
Orion Association A large association of very young stars of spectral types O and B, centred on the *Orion Nebula, 1500 l.y. away. It is about 400 l.y. across and contains all the main stars of Orion, except Betelgeuse. The area is still partly shrouded in gas from which stars continue to form.
Orionid meteors A meteor shower showing modefate activity between October 15 and November 2. The activity pattern is complex, with sevefal peaks and troughs, presumably reflecting the filamentary nature of the meteor stream laid down over several perihelion returns by *Halley's Comet. A broad maximum, with ZHR reaching 30, is seen fora couple ot'days around October 21, from a radiant at RA 6h 24m, dec. +150 (between Betelgeuse and Gamma Geminorum). Orionid meteors are very swift (geocentric velocity 66 km/s), and a high proportion leave persistent trains, but most are faint.
Orion Molecular Clouds A group of large clouds of gas and dust 1500 l.y. away in the constellation Orion, the nearest examples of * giant molecular clouds. Each cloud is over 100 l.y. across and contains more than 100000 solar masses of gas, mostly in the form of hydrogen molecules. The young stars of Orion formed from these clouds within the last 10 million years. New stars are still forming in dense molecular cores within the clouds, hidden from sight by the dust, but detectable as sources of infrared and molecular radiation. The best-known molecular cores are designated OMC-l and OMC-2.
Orion Nebula A large and bright nebula, 1500l.y. away in the constellation Orion; also known as M42 or NGC 1976. The nebula covers more than 10 x 1. of sky and is faintly visible to the naked eye as a fuzzy patch around the multiple star Theta 1 Orionis, also known as the *Trapezium, The ultraviolet light from the Trapezium stars ionizes the nebula. The Orion Nebula is over 20 l.y. in diameter, and contains several hundred solar massesot' ionized gas. It forms al hot blister on the near side of one of the massive *Orion Molecular Clouds.
Orion Spur Alternative name for the *Orion Arm of our Galaxy, given when it was thought to be a branch of the *Perseus Arm.

GREEK ALPHABET OF TWENTY FOUR
x
ORIONIS
5 |
ALPHA |
38 |
20 |
= |
2 |
ORIONIS |
99 |
45 |
9 |
4 |
BETA |
28 |
10 |
= |
1 |
ORIONIS |
99 |
45 |
9 |
5 |
GAMMA |
35 |
17 |
= |
8 |
ORIONIS |
99 |
45 |
9 |
5 |
DELTA |
42 |
15 |
= |
6 |
ORIONIS |
99 |
45 |
9 |
7 |
EPSILON |
90 |
36 |
= |
9 |
ORIONIS |
99 |
45 |
9 |
4 |
ZETA |
52 |
16 |
= |
7 |
ORIONIS |
99 |
45 |
9 |
3 |
ETA |
26 |
8 |
= |
8 |
ORIONIS |
99 |
45 |
9 |
5 |
THETA |
54 |
18 |
= |
9 |
ORIONIS |
99 |
45 |
9 |
4 |
IOTA |
45 |
18 |
= |
9 |
ORIONIS |
99 |
45 |
9 |
5 |
KAPPA |
45 |
18 |
= |
9 |
ORIONIS |
99 |
45 |
9 |
6 |
LAMBDA |
33 |
15 |
= |
6 |
ORIONIS |
99 |
45 |
9 |
2 |
MU |
34 |
7 |
= |
7 |
ORIONIS |
99 |
45 |
9 |
2 |
NU |
35 |
8 |
= |
8 |
ORIONIS |
99 |
45 |
9 |
2 |
XI |
33 |
15 |
= |
6 |
ORIONIS |
99 |
45 |
9 |
7 |
OMICRON |
87 |
42 |
= |
6 |
ORIONIS |
99 |
45 |
9 |
2 |
PI |
25 |
16 |
= |
7 |
ORIONIS |
99 |
45 |
9 |
3 |
RHO |
41 |
23 |
= |
5 |
ORIONIS |
99 |
45 |
9 |
5 |
SIGMA |
49 |
22 |
= |
4 |
ORIONIS |
99 |
45 |
9 |
3 |
TAU |
42 |
6 |
= |
6 |
ORIONIS |
99 |
45 |
9 |
7 |
UPSILON |
106 |
34 |
= |
7 |
ORIONIS |
99 |
45 |
9 |
3 |
PHI |
33 |
24 |
= |
6 |
ORIONIS |
99 |
45 |
9 |
3 |
CHI |
20 |
20 |
= |
2 |
ORIONIS |
99 |
45 |
9 |
3 |
PSI |
44 |
17 |
= |
8 |
ORIONIS |
99 |
45 |
9 |
5 |
OMEGA |
41 |
23 |
= |
5 |
ORIONIS |
99 |
45 |
9 |
90 |
First Total |
1078 |
448 |
- |
151 |
- |
2376 |
1080 |
216 |
9+0 |
Add to Reduce |
1+7+8 |
4+4+8 |
- |
1+5+1 |
- |
2+3+7+6 |
1+8 |
2+1+6 |
9 |
Second Total |
16 |
12 |
- |
7 |
- |
18 |
9 |
9 |
- |
Reduce to Deduce |
1+6 |
1+2 |
- |
- |
- |
1+8 |
- |
- |
9 |
Final Total |
7 |
3 |
- |
7 |
ORIONIS |
9 |
9 |
9 |
GREEK ALPHABET OF EIGHTEEN
X
ORIONIS
5 |
ALPHA |
38 |
20 |
= |
2 |
ORIONIS |
99 |
45 |
9 |
4 |
BETA |
28 |
10 |
= |
1 |
ORIONIS |
99 |
45 |
9 |
5 |
GAMMA |
35 |
17 |
= |
8 |
ORIONIS |
99 |
45 |
9 |
5 |
DELTA |
42 |
15 |
= |
6 |
ORIONIS |
99 |
45 |
9 |
7 |
EPSILON |
90 |
36 |
= |
9 |
ORIONIS |
99 |
45 |
9 |
4 |
ZETA |
52 |
16 |
= |
7 |
ORIONIS |
99 |
45 |
9 |
3 |
ETA |
26 |
8 |
= |
8 |
ORIONIS |
99 |
45 |
9 |
5 |
THETA |
54 |
18 |
= |
9 |
ORIONIS |
99 |
45 |
9 |
4 |
IOTA |
45 |
18 |
= |
9 |
ORIONIS |
99 |
45 |
9 |
5 |
KAPPA |
45 |
18 |
= |
9 |
ORIONIS |
99 |
45 |
9 |
6 |
LAMBDA |
33 |
15 |
= |
6 |
ORIONIS |
99 |
45 |
9 |
2 |
MU |
34 |
7 |
= |
7 |
ORIONIS |
99 |
45 |
9 |
2 |
NU |
35 |
8 |
= |
8 |
ORIONIS |
99 |
45 |
9 |
2 |
XI |
33 |
15 |
= |
6 |
ORIONIS |
99 |
45 |
9 |
7 |
OMICRON |
87 |
42 |
= |
6 |
ORIONIS |
99 |
45 |
9 |
2 |
PI |
25 |
16 |
= |
7 |
ORIONIS |
99 |
45 |
9 |
3 |
RHO |
41 |
23 |
= |
5 |
ORIONIS |
99 |
45 |
9 |
5 |
SIGMA |
49 |
22 |
= |
4 |
ORIONIS |
99 |
45 |
9 |
78 |
First Total |
792 |
324 |
- |
117 |
- |
1782 |
810 |
216 |
7+6 |
Add to Reduce |
7+9+2 |
3+2+4 |
- |
1+1+7 |
- |
1+7+8+2 |
8+1+0 |
2+1+6 |
13 |
Second Total |
18 |
9 |
- |
9 |
- |
18 |
9 |
9 |
1+3 |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
1+8 |
- |
- |
9 |
Final Total |
9 |
9 |
- |
7 |
ORIONIS |
9 |
9 |
9 |
MAN AND THE STARS
CONTACT AND COMMUNICATION WITH OTHER INTELLIGENCE
THE MYSTERIOUS SIGNALS FROM OUTER SPACE
Duncan Lunan 1974
'A. The ''Foreseedble'' Mission
1; Will There Be Suitable Planets?
Witness this;new-made World, another Heaven
From Heaven-gate not far, founded in view
On the clear hyaline, the glassy sea:
Of amplitude almost immense,with stars
Numerous, and every star perhap's a world
Of destined habitation...
Milton Paradise Lost Book 7, II. 617 - 62
Page 3
"At present we can only guess whether any stars within twelve light-years - or anywhere else, for that matter will be found to posses habital planets. Taking various items of knowledge and hypotheses into account we cap try to make that guess an informed one - but it remains an a guess, even;,when probability values are assigned to it, as in Dole's Habitable Planets.for Man (a Rand Corporation study, 1964). Most of our present knowledge relates. to' stars, rather than to the formation of planets and the conditions on them. Only, a few stars other, than , our Sun are known to have planets at all: the discovery of even one other planetry system, however has profound implications for scientificand philosophic thought. ,"
CHAPTER
13
DID ANYONE FOLLOW IT UP
Oh whistle and I'll come tae you my lad. . .
Robert Burns
Page 323
.
"The problems in looking for evidence of past contact are different from those of conventional archaeology. Yet that science has been rocked by the discovery of whole Cities, even civilizations, whose existence was legendary or unknown... It is far more likely that a landing site, a research 'base or even a "foreseeable" colony might not be found, or if found, might not be recognized; perhaps because the high-technology artifacts had corroded away, perhaps because the tech-niques used were unfamiliar, perhaps because the major evidence was removed or destroyed to protect the local populace from biological or other dangers. Other kinds of evidence - eyewitness testimony, hearsay, circumstantial-are corrupted to an unknown degree, either by the conceptual framework of the reporter ("interpreting the alien in our terms," as Chris would say,) or by distortion in repetition; or both.
In "Direct Contact 'Between Civilizations. . ."1 Sagan said that wonderful doings by beings descending from the sky are not enough. Primitive man found ,it "at least mildly satisfying" to have deities, and put them in the sky, because if they were in the next country, it would be "easy to disprove their existence by taking a walk." Looking for historical contact, we want (1) an account committed to written record soon after, (2) major change effected in the contacted society by the encounter, (3) no attempt to conceal the extraterrestrial nature of the contact.
Now, if we adopted,such strict criteria, we probably / Page 324 / would be left with no more possible instances than the one actual contact Sagan thinks we may have had with Galactic civilization. The only example Sagan himself puts forward isn't entirely in the clear (see case 8 below). We might very well exclude genuine contacts, if for instance they happened before the invention of writing; were too small to change the society concerned, or were taken for divine in spite of the best efforts of the visitors. If there have been a significant number of contacts in history, that does not matter: let us say we have ten possible contacts, of which seven are doubtful and in fact only six are genuine:We'll get a more accurate picture of events from three good instances than from ten (or even four) of which one or more are false. But if as Sagan himself believes there have been very few contacts, perhaps only one, we may have to cast our net wider."
9 |
GILGAMESH |
- |
- |
- |
- |
G |
7 |
7 |
7 |
- |
I |
9 |
9 |
9 |
- |
L+G+A |
20 |
11 |
2 |
- |
M+E |
18 |
9 |
9 |
- |
S+H |
27 |
18 |
9 |
9 |
GILGAMESH |
81 |
54 |
36 |
- |
- |
8+1 |
5+4 |
3+6 |
9 |
GILGAMESH |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
ANU |
36 |
9 |
9 |
9 |
GILGAMESH |
81 |
45 |
9 |
9 |
BABYLONIA |
81 |
36 |
9 |
10 |
NAMES OF GOD |
99 |
45 |
9 |
Page 333
" 8. Sumeria and Egypt-the patrons of learning. The one case noted by Sagan and Shlovskii as a possible 'contact was the origin of Sumerian civilization. Not all their criteria for historical contact were fulfilled, since we have no contemporary records of the events, but records which do refer to them (e.g., the Gilgamesh legends) are among the oldest written texts in the world. The other criteria are satisfied: the beings are never described as gods, and supposedly had a lasting effect on the society (societies, as we shall see) affected by the contact. '
Over several generations before the Flood, according to the historian Berossus,17 seven beings of great wisdom, "animals endowed with reason," came up from the sea bordering Babylonia, i.e., from the Persian Gulf.
The first of 'these, Oannes, had a fish's head with a man's head below it, a fish's body according to one text, and a man's feet subjoined to a fish's tail. He took no food while on land and returned to the sea at night; his voice and language was that of a man; he taught letters, sciences, building, geometry, biology, farming, and supposedly religion, mythology, and law-"everything which could tend to so often manners and humanize their lives."
Berossus wrote in 250 B.C., but we know the Seven Sages story was 2,000-4,000 years older. He said that a representation of Oannes was preserved until his own day; however, the-Seven Sages first appear on Assyrian cylinder seals between 1000 and 800 B.C., according to Frankfort's Cylinder Seals,18 and there 18 no earlier known precedent for it. Tomas points out, however, / Page 334 / that the fish's head above the man's has a remarkable resemblance to an astronaut's helmet, open (or a frogman's goggles, pushed up put of the way. The fish-man never takes part .in the combat scenes of the other mythological figures. A curious slip-up has apparently occurred in "Intelligent Life in the Universe," where 'Sagan and Shlovskii reproduce Frankfort's plate,33(b) and (g); one shows the "goat-fish" symbol of the water god Ea, the other a dragon bearing the symbols of Jupiter (Marduk) and Mercury (Nabu). Plate 34 (b) and some drawings in the text are the ones which represent Oannes; perhaps their edition of Cylinder Seals, like the one I consulted, had some faulty plate references.
The same characters, as it seems, appear in. Egyptian mythology as the Seven Wise Ones of the goddess Mehurt or Hetep-sekhus, who as "The Eye of Ra"'~ associated with the Moon,19 as well as. representing the watery abyss of heaven.2o The Seven Wise Ones came out of the water, from the pupil of the Eye of Ra, and taking the form of seven hawks, they flew upward to the sky to preside with Thoth (the counter of stars, measurer and enumerator of the Earth, lord of books, scribe of the gods) over learning and letters.
Now, in The Book of the Dead, chapter XVII, there isa complicated passage involving the sovereign princes who stand behind Osiris in the Underworld and purify souls brought before him of their sins and crimes. Those princes are Kestha, Hapi, Taumutef, and Qebhsennuf (the gods of the pardinal points), in association with Thoth, Astes (the lord of the Underworld), and Sebek, who with his company dwells in water, does away with sins and crimes and follows Hetep-sekhus, the Eye of Ra. . . . Perhaps because he feared the reader might be in difficulties, the author then gives (v. 99) two alternative sets of seven names for these beings, who were ap-pointed to guard the body of Osiris on Earth. Just to get it clear, there are seven of them, dwelling iti water or in watery sky, associated with (or includi,ngl Thoth and following Meh-urt.
The sovereign princes are introduced, however, as / Page 335 / those who destroyed the faults of the Seven Spirits. These seven, who are among the followers , of Osiris, are the "khus" or spirits of the Great Bear, which -the ancient Egyptians called "the Thigh." The princes be-ehind Osiris are "behind the Thigh in the Northern sky" - in other words, unless I've got this entirely wrong, they are identified with the stars of Bootes.
As I said, two alternative sets of names for them fol-low. (The translation says they're the names of the Seven Spirits, but they're distinguished from them ip. v., 90-92.) One is essentially the list we have: the cardinal points, plus Horus-in-Blindness (Thoth), and two others (I don't know if they're alternative names for Astes and Sebek). The other list is as follows:
1. Netcheh-netcheh (the first, the leader, or the glorious one).
2. Aatqetqet (he who is mighty in revolving).
3. Anertanef-bes-f-khenti-heh-f (the dweller in the flame giveth not his flame) .
4. Aq-her-ami-unnut-f (he ehtereth in his hour).
5. Teshermaati-ami-het-Anes (the red-eyed 'One in the house of Anes). ,
6. Ubes-hra-per-em-khet-khet (the fiery face who cometeth onward and retreateth).
7. Maa-em-kerh-an-nef-em-rhru (he seeth in the dark and bringeth in the day).
That's an interesting set of names. If number 5 were Arcturus (the Aries bandlet were apparently the seven guardians of Osiris' body), and riumber 7 were Delta Bootis, the easternmost star of the constellation, tben number 1 with its double-barreled name could be Epsilon, number 2 could be Gamma, which is an A 7 giant, and number 6 Zeta, which is a binary with a very eccentric orbit and a period of 130.years.
"The dweller in the flame" is the dragon the Sun god Ra defeats each day at sunset. Since it is described as 30 cubits long, the first 8 ,covered with flints and shining metal, W. R. Drake suggests it might be a spaceship, but in context that isn't convincing. Perhaps, howevr, the name identifies Eta, the westernmost star / Page 336 / in Bootes (i.e., nearest sunset, taking east as left and
west as right). Then number 4, who "entereth in his hour," is Nekkar, the Crown Star at the head of. the constellation. We then have all seven names as descrip-tions of the Bootes stars-but two of them could be telescopic descriptions, with Netcheh-netcheh Epsilon?) at the top of the list.
(Incidentally, these names are not the stars of Ursa Minor.. Although "he who is mighty in revolving" could be Polaris and "the red-eyed one" would then be Kochab, the Book of the Dead was already old in 2500 B.C. when Thuban (Alpha Draconis) was still the Pole Star. The stars of Ursa Minor would then be opposite the Thigh in the northern heavens, not behind it. R.Brown suggests that in.Sumeria the Seven Great Ones, the divine judges, may have been associated with Ursa Minor, but it's not certain: other writers feel such an identification could not have been made until much later,21 if it ever was.)
So there seem to be, no convincing signs of contact prior to, the supposed arrival of the space probe; the best indications thereafter, the Hapgood maps, suggest a survey of the Earth not long after the probe's arrival, and an update concentrating especially on the Mediterranean area thousands of years later; the origin of civilization in theMiddle East after 4000 B.C. is attributed to beings who came from the sea (after a splashdown?), finally went into the sky, and are apparently associated with the stars of Bootes. Let's therefore have some fun with the other" possible contact i,ndications (large pinches of salt will be in order.)
9. The Deluge., It is now generally. accepted that there was a drastic flood in Sumeria, at about 40.00 BC. The conventional explanation,,is that the Flood legends are of an extreme river flood in, the Tigris-Euphrates valley.22 But the Flood in question would have had to be colossal to deposit the eight to eleven feet of mud found by Wooley at Ur; corresponding layers are found at other sites. Traces of habitation are found above the mud and below, but not in it. Isaac Asimov therefore suggested 23 that there might, statistically,' have been / Page 337 one sizable meteorite impact in. coastal waters during recorded history, and it might well have been in the Persian Gulf-in those almost landlocked waters a tert;ible tidal wave would have been.generated, perhaps hurling enough water up the Euphrates valley for it to take days to subside. In the biblical account "The same day were all the fountains of the great deep broken up, and the windows of heaven were opened" -there would of course have been torrential rain after a sea impact, but it seems that the body of the Flood came from the sea itself
The records of the Flood handed down by neighbor-ing cultures are equally dramatic, and in some ways even more interesting. The oldest of them, the Sumerian account, says that the Flood began with. "all the wind-storms, exceedingly powerful, attacking as one"24; the later Babylonian account, in the Gilgamesh epic,. is more speciffic "with the first glow of dawn, a black cloud rose up from the horizon. Inside it Adad (stormgod) thunders. . ." Shockwaves'came,ahead of it; the god of the underworld tore out the posts of the world dam (i.e., there was a ground shock as .well?); the Annunaki (gods) lifted up "the torches, setting the land ablaze with their glare"; and the south storm drove the waters inland as the clouds blotted out the daylight. The south storm: from the direction-of the sea, not from the mountains as in river floods. The Indian account, carried by Aryan migration from Iran, reads, "The / Page 338 / sea, overwhelming its shores, deluged the whole earth, and it was soon perceived to be augmented by showers from immense c1ouds."25 (Muir's Original Sanskrit Texts has the events the other way around, but mentions volcanic eruptions before the deluge.26) The Chinese legend, which may also have come from ancient Sumeria by cultural migration, specifically attributes the Flood to an impact, in which the demon Kung-Kung or Kong Kong butted and broke the northwest pillar of the sky, tilting earth and heaven toward each other.27 In Egyptian Coptic tradition the disaster began with stars falling on earth, "personages from heaven"striking down people with iron maces, and fire from the constellation Leo.28 (The ancient Egyptians knew iron chiefly from meteorites.) In Hittite myth, the Moon god Kashku fell fromi heaven, and the storm god Taru sent rainstorms and winds after him.24
A few people had a miraculous escape, however, in an ark which was carried up into the mountains (away from the sea, as Asimov pointed out). In the Sumerian and Babylonian versions the god Anu gives the necessary warning and instructions, 'speaking through a wall; in the Bible, God spoke directly to Noah; Berossus has the king warned by Cronus in a vision; but the Indian account brings in people we've met before. A talking fish came up out of the sea, an avatar (incarnation) of / Page 339 / the god Vishnu but not identified with any god in some versions; and it gave the ark to the king, who took with, him the seven rishis, or sages, identified with the stars of the Great Bear;
The ark was an odd boat. It had a sealed hull, as Jean Sendy points out,29 in an age when oars and sails were the only propulsion. known; it had a door in the side, so the occupants had to push birds out to see if they were on dry ground in three of the versions -it floated two-thirds under water, according to the Gilgamesh Epic); but it also had a top hatch or window, which wasn't opened until it first touched ground; in the Indian text, it was met and towed out of the floodwaters by the wonderful fish. Although unpowered and,unsteerable, ill the Berossus account it had a pilot, and all seven sages aboard with king Manu in the Indian version.
If we were going to associate the ark with anything in modem technology, it would be a larger version of the Apollo capsule. There may have been visitors on the spot; who were warned of the coming disaster and took the local ruler and his family into the capsule before the tidal wave reached them (and tha twould have been one chance in a million); or the contact team may already have left, and passed down the word, by radio. The Sumerian translation has the god Anu say, making plans at the outset "I will return the people to their settlements. . ." but according to a footnote the word "I"appears plural, the word "return" is uncertain, and / Page 340 / the word "to" appears to be "from" - in other words the divine intention could be to save as many people as possible in the Sumerian and Gilgamesh accounts, the king and his family (and the pilot in Berossus ) are taken away by the gods after they leave the Ark and set up an altar , from which the king's voice tell the other occupants to go back to the coastal city, recover buried records, and start again. Sacred books are also recovered in the Indian story"
3 |
ANU |
36 |
9 |
9 |
9 |
GILGAMESH |
81 |
45 |
9 |
9 |
BABYLONIA |
81 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
AVATAR |
63 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
LUCKY |
72 |
18 |
9 |
13 |
THIRTEEN |
99 |
45 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
OUR |
54 |
18 |
9 |
6 |
DIVINE |
63 |
36 |
9 |
4 |
LOVE |
36 |
18 |
9 |
10 |
NAMES OF GOD |
99 |
45 |
9 |
MAN AND THE STARS
CONTACT AND COMMUNICATION WITH OTHER INTELLIGENCE
THE MYSTERIOUS SIGNALS FROM OUTER SPACE
Duncan Lunan 1974
Page 219
" Planetary contact 3(c)-intelligence unrecognizable by physical form. In discussing the recognition problem, we have been assuming that manipulative appendages, etc., are essential for intelligence, that we have enough in common with "them". for there to be an appropriate, physical response to us. But suppose, after - all, such features are not necessary for intelligence. There is a fantasy story about a university professor mysteriously translated into the body of a bull After great efforts to communicate he finally gets the opportunity'to write a message in the bloody sand of the slaughterhouse. Unfortunately, the man with the gun is illiterate - "another of those steers that do a 'crazy kind of dance." To get at case 3(c), we have to magnify that - problem into an alien mind in non human body; could there be intelligences like Arthur C. Clarke's Atheleni,12 unable to develop technology until they meet a race gifted with hands?
In the early 1960's it seemed that this might even be the role of the terrestrial dolphin, Dr. Lilly's experiments suggested that dolphins, 'with bigger brains than our own, might also have a more complicated language structure than ours. They might be able to learn our languages; they might have a transmitted culture of folk. tales and memorized legends, in which case it is possible that, they have immediate, fixed memory storage and never. forget anything. (In the absence of records, anything they did forget would be lost.) Their culture'could be totally devoted to works of poetry 'or devising abstract mathematical concepts, Stanley Kubrick suggested.13 "
SECRET CHAMBERS
Robert Bauval
1
999
Page 98
It is not the purpose or task of this book to go into the complex scholarship of Gnostic studies, but a brief overview is, at this stage, imperative to our investigation. However, let us begin by saying that the latest research shows that this early form of Christianity was rooted in the ancient mystery and initiatory religions of Egypt, Greece and the East, and that it was through Gnosticism that these ancient systems were carried across the ages to finally discharge themselves, albeit much mutated and distorted, in the modem mystery schools of Rosicrucianism and Freemasonry. In his comprehensive and rather daring study entitled The Gnosis or Ancient Wisdom in the Christian Scriptures, the scholar William Kingsland argues that:
. . . the (Christian) scriptures are not always to be taken literally as biographies of the life of Christ but that they also contain allegorical and symbolical levels of meaning as well. The figure of Christ that emerges is not much one of a suffering saviour, pouring out his life's blood for the redemption of the world, but rather of a guide to the essential 'gnosis' that the 'kingdom of heaven lies within' . . .11
The crux of Kingsland's thesis is that the teachings of Jesus have much in common with other mystery religions associated with teachers such as Hermes Trismegistus, Buddha and Zoroaster, and that they also form part of a system of enlightenment involving initiation into the so-called Mysteries, and that the rudimentary basis of these secret ceremonies have survived today in the rituals of modem initiation societies such as the Freemasons.12 In the author's own words:
The existence of the ancient Mysteries in Egypt, Greece, and elsewhere is of course well-known as a matter of history; and many of the more esoteric ceremonies in connection with these have survived to this day in the rituals of Freemasonry and the Church itself. . . In all ages of which we have any literary records we find the tradition of a recondite knowledge which could not be disclosed to any save to those who had undergone the severest tests as to their worthiness to receive it. This knowledge was generally known under the term of the Mysteries, and it was concerned with the deepest facts of Man's origin, nature, and connection with super-sensual worlds of beings, as well as with the 'natural' laws of the physical world. It was no mere speculation; it was real knowledge, Gnosis, knowledge of 'the things that are', knowledge of Reality; a knowledge that gave its possessor powers which at one time or other have been regarded as pertaining only to the gods. . . The basis of that knowledge, the fundamental principle on which all the teachings rested, was the essential divine nature of man, and the consequent possibility of becoming, by self-knowledge, a / Page 99 Figure 19 omitted / Page100 / god like being. The final goal, the final objective of all the Mysteries, was the full realisation by the initiate of his divine nature in its oneness with the Supreme Being . . . 13
HOW GREAT THOU ART MY GOD HOW GREAT THOU ART
GOD THAT SHE AS IN HE THAT IS THEE THAT GOD
THATTHATTHAT
ISISIS
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SECRET CHAMBERS
Robert Bauval
1
999
MAGICAL RELIGION
Page 120
"A century or so after the rediscovery of the Corpus Hermeticum, a strange regeneration of , Egyptian' mysticism was taking place in Western culture. The Hermetica was being circulated among scholars, the educated classes and even royalty.19 A new breed of 'Hermetic' philo- sophers, cabalists, alchemists, magicians, seers and wizards of all sorts began to emerge.20 In Chapter 2 we saw the bizarre involvement of the Papacy with Hermeticism and how some misguided scholars attempted to convince the Church not only that Hermes- Thoth was a prophet of Christianity, but also that his 'books' should be canonised and embraced as 'gospels' of the Roman Catholic Church. Others, more radical in their demands, went as far as to preach the return of the 'Egyptian' religion as the true religion of the world. Among the most forceful and influential of these new Hermetic activists was a mysterious Italian scholar from the Nolan region called Giordano Bruno.
Before the late 1960s very few people indeed, except within a tight academic circle, had even heard of Giordano Bruno.21 It was not until the British scholar Frances A. Yates took up the task of understanding Bruno's role and motives in the Italian Renaissance and, more impor- tantly, his strange contacts in the French and English courts, that the true picture of Bruno's bizarre mission began to emerge. In her turning- point work, Giordano Bruno and the Hermetic Tradition (first published in 1962 in London), Yates performed a sort of intellectual archaeological feat by discovering the rudiments of a powerful esoteric tradition which had hitherto gone undetected. This tradition, as we shall see, almost certainly caused the formation of speculative Freemasonic and Rosi- crucIan movements and ultimately, as I shall also show, set up the conditions that were to lead seekers to look for the fabled 'Hall of Records' at Giza. To give a name to this mysterious 'tradition' Yates was to coin the phrase 'the Hermetic Tradition'.22
Giordano Bruno's mission began in 1581, when he set himself the task of persuading the monarchs of Europe to install, no less, the 'magical religion of the Egyptians' as the new religion of the world. That year, Bruno had arrived in the city of Paris after wandering out of Italy and through Europe for several months. In Paris he gave public lectures which eventually got him noticed by the French king, Henri III. Bruno, / Page 121 / by then, had developed an extremely high level of proficiency in the classical art of memory called mnemonics and had already published two books on the subject. Yates writes:
This classical art, usually regarded as purely mnemotechnical, had a long history in the Middle Ages. .. In the Renaissance it became fashionable among Neoplatonists and Hermetists. It was now understood as a method of printing basic archetypal images on the memory. . . a kind of inner way of knowing the universe. . . The Hermetic experience of reflecting the universe in the mind is, I believe, at the root of Renaissance magic memory, in which the classic mnemonic with places and images is now understood, or applied, as a method of achieving this experience by imprinting archetypal, or magically activated, images on the memory. By using magical or talismanic images as memory- images, the Magus (magician) hoped to acquire universal knowledge, and also powers, obtained through the magical organisation of the imagination.- a magical powerful personality, tuned in, as it were, to the power of the cosmos. This amazing transformation, or adaptation, of the classical art of memory in the Renaissance has a history before Bruno, but in Bruno it reaches culmination. The De umbris idearum and the Cantus Circaeus . . . are his two first works on magic memory. This reveals him as a magician. . .23
The human memory has a natural system of selecting images, colours, scents or sounds in order to store vast amounts of information, moods, ideas, feelings and sensations. Imagine a day at the beach with friends and family, full of activities, full of fun and full of wonderful sensations. That day, however, something unusual happens. You are stung by a blue- bottle jellyfish. Years later you are visiting an aquarium somewhere else in the world, and in one of the displays floats a little blue-bottle jellyfish. Suddenly that 'image' unleashes the memories of that day on the beach. The blue-bottle is the 'icon' or 'archetypal image' in which was stored all the memories of that special day. Your mind will most certainly work out why the memory came to the surface by relating the jellyfish to the events remembered. It could have happened in a far more subtle way. You could have seen something totally unrelated, say, a postage stamp, whose colour very closely resembled that of the blue-bottle jellyfish. The unconscious mind makes the association, and the memories of that day will again flash in your mind. Except this time you may not be able to work out why this has happened, i.e. your conscious mind may not have registered what exactly it was that triggered the memory. This phenome- non is what the Hermetic scholars would have called the 'silent language' and what the ancient Egyptians would have called the 'language of the gods'.
Page122
The classical art of mnemonics is to learn how to create such an icon yourself and store it in the mind; then, at a later date, unleash it at will to bring back the desired memory stored in it. A very simple example of this is when you tie a string on your finger in order to remind you of something later. on. This works so long as the item you wish to remember is simple and straightforward. What if the subject matter involved remembering a complex chain of events such as a Shakespeare play or a lecture on atomic physics? A far more sophisticated method would be needed, and that is where the art of mnemonics can be applied. One of the techniques is to imagine a house that you are familiar with, and allocate in chronological order the memory of each event to a room or item in this house. Later you can visualise yourself walking around the house along a predetermined route, entering the rooms and, as you encounter each item or 'icon', the memory that it 'stores' begins to unfold. It takes many years of practice to become a master of the art of memory, and those few who have the ability and intellect to become adepts will develop tremendous insight, which in turn can be converted into enormous power of influence and manipulation. Vast memory that can be controlled, like that of a powerful computer, translates into vast reservoirs of knowledge. Knowledge, as we all know, is power. The greater the memory and the more refined the means to store and control it, the greater the power of the magician.
Recognising such immense abilities in Giordano Bruno, Henri III appointed him as a spy to the French court, a sort of Renaissance version of James Bond, and dispatched him to the English court of Elizabeth I. The year was 1583. Commenting on this mission, Frances Yates writes that
. . . Henri III, who, by sending Bruno into England on some mission. . . changed the course of his life from a wandering magician into that of a very strange kind of missionary indeed. . .24
The 'strange kind' of mission that Bruno set out for himself was the extraordinary task of persuading the Elizabethan court, and through it eventually the whole of Europe, to adopt the 'true religion of the world'. That Bruno's intention was to attempt this is confirmed by a letter written by the English ambassador in Paris, Sir Henry Cobham, to Francis Walsingham in England to warn him of Bruno's hidden motives: 'Doctor Giordano Bruno Nolano, a professor in philosophy, intends to pass into England, whose religion I cannot commend. '25 This is a wonderful English understatement. For the religion that Cobham / Page123 / 'cannot commend' and which Bruno is bringing to England, as we shall see, is none other than the ancient Egyptian religion or, more precisely, that magical religion that he, Bruno, has discovered in the Hermetic texts.26 Bruno, in this ambitious and daring mission, is trying single- handed to seed the idea of a total general reformation of the world, a sort of intellectual and spiritual 'Second Coming' which he believes can be brought about by the revival of ancient Egypt's magical religion. To do this, Bruno is applying his own magical powers, that is the 'words of power' which are made the more devastating by linking them to talismans and archetypal images.27 Making use of a mixture of alchemical a1}d cabalistic techniques, Bruno's brand of magic using words and images is clearly 'Egyptian' in style. This is made evident when he wrote:
. . . the sacred letters used among the Egyptians were called hieroglyphs. . .
which were images. . . taken from things of nature, or their parts. By using such writings and voices, the Egyptians used to capture with marvellous skills the language of the gods (my italics). Afterwards when letters of the kind which we use now were invented. . . they brought about a great rift both in memory and in the divine and magical sciences.28
This statement alone demonstrates the amazing perceptive ability this sixteenth-century magician had. For we must remember that Bruno was writing these words more than three centuries before the Frenchman
Champollion deciphered hieroglyphics.29 From the time he began his visit to England in 1583, Giordano Bruno went about proclaiming the imminent return of the magical religion of Egypt. As Frances Yates pointed out:
The works in the form of dialogues written in Italian which Bruno published in England are usually classified as moral and philosophical. . . both Bruno's proposed reform and his philosophy are related to his Hermetic religious mission . . . a mission [which] . . . becomes expanded into a projected full restoration of the magical religion of the pseudo-Egyptians of the Asclepius (a major tract on the Hermetica) . . .30 .
Yet Bruno was no New Age ranter. In Bruno we have the perfect example of how a powerful intuition can know what scientific minds have trouble perceiving. It was Bruno, for example, who introduced Copernicus's ideas of heliocentricity to the Oxford scholars by using his own intuitive vision of the planets and the sun.31 It was also Bruno who was among the very first to imagine a cosmos populated by innumerable / Page 124 / other worlds.32 We may thus wonder if his unusual intuition will not one day prove correct when he spoke of a revival of the 'magical Egyptian religion' in the Western world. In his major work Spaccio della Bestia Trionfante, which was written in England in 1584, Bruno's central theme is 'the glorification of the magical religion of the Egyptians,.33 In this work Bruno correctly detected in this ancient religious system that the worship of the Egyptians was the worship of 'God in things' and that communication with the divine could thus be achieved through all things in nature, by the application of a special magic which the Egyptian priests were the masters of:
. . for as the divinity descends in a certain manner inasmuch as it communicates itself to nature, so there is an ascent made to the divinity through nature. Thus through the light which shines in natural things one mounts up to the life which presides over them. . . And in truth I see how the wise men (of Egypt) by these means had power to make familiar, affable and domestic gods, which, through the voices which came out of the statues, gave counsels, doctrines, divinations and superhuman teachings. Whence with magical and divine rights they ascended to the height of the divinity by the same scale of nature by which the divinity descends to the smallest things by the communication of itself. . . Those wise men, then, in order to obtain certain benefits and gifts from gods, by means of profound magic, made use of certain natural things in which the divinity was latent, and through which the divinity was able and willing to communicate itself for certain effects. Whence those ceremonies were not vain fancies, but living voices which reached to the very ears of the gods. . .34
Bruno was living in a time of great expectation for some major religious reformation. A sort of 'Second Coming' frenzy was about to take hold of the European masses. Signs in the heavens were eagerly awaited. Rumours ran wild that soon a messianic-like child would be born and would unite Europe and the world under a fully reformed Christianity. Hermeticism, according to many, was the ideal tool in an attempt to activate this religious reform.35 As the Parisian scholar J. Dagens noted, 'the end of the sixteenth century and the start of the seventeenth century have been the golden age of the Religious Hermetism'.36 Using complex mathematical calculations, some astrono-mers and religious reformers worked out that the coming of such a messianic 'child' would take place at the end of the sixteenth century,37 and this would be made manifest with signs in the heavens. Amazingly, the heavens were to oblige with the sudden appearance of a supernova star in 1604.38
This spectacular phenomenon took place in the constellation of / Page 125 / Cygnus."
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I
AM
THE ROOT AND THE OFFSPRING OF DAVID AND THE BRIGHT AND MORNING STAR
|
|
|
|
1 |
I |
9 |
9 |
9 |
|
|
|
|
2 |
AM |
14 |
5 |
5 |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
4 |
ROOT |
68 |
23 |
5 |
|
|
|
|
3 |
AND |
19 |
10 |
1 |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
9 |
OFFSPRING |
110 |
56 |
2 |
|
|
|
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
5 |
DAVID |
40 |
22 |
4 |
|
|
|
|
3 |
AND |
19 |
10 |
1 |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
6 |
BRIGHT |
64 |
37 |
1 |
|
|
|
|
3 |
AND |
19 |
10 |
1 |
|
|
|
|
7 |
MORNING |
90 |
45 |
9 |
|
|
|
|
4 |
STAR |
58 |
13 |
4 |
|
|
|
|
58 |
First Total |
|
|
|
|
|
5+1 |
|
5+8 |
Add to Reduce |
6+3+0 |
2+9+7 |
6+3 |
|
|
|
|
13 |
Second Total |
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
- |
1+8 |
- |
|
|
|
|
|
Essence of Number |
|
|
|
THE
HOURS OF HORUS THE HORUS OF HOURS
SHRI
KRISHNA
SHRI KRISHNA KRISHNA SHRI
SAPTARSHI RISH SAPTARSHI
SAPTARSHI
A PAST RISH
SAPTARSHI
A STAR SHIP
SAPTARSHI
Saptarshi - Wikipedia
The Saptarshi (Sanskrit: सप्तर्षि, lit. 'Seven sages' IAST: Saptarṣi) are the seven seers of ancient India who are extolled in the Vedas, and other Hindu literature such as the Skanda Purana. The Vedic Samhitas never enumerate these rishis b…
mythologyworldwide.com
https://hindu.mythologyworldwide.com › the-myth-of-the-seven-seers...
The Myth of the Seven Seers: Saptarishi and Their Legacy
Oct 22, 2024 · In Hindu cosmology, the Saptarishi represent the eternal cycle of creation and destruction. They are seen as pivotal figures during the cosmic resets, embodying the …
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Wisdom Library
https://www.wisdomlib.org › concept › saptarshi
Saptarshi: Significance and symbolism - Wisdom Library
Jan 20, 2025 · Saptarshi, referring to the Great Bear constellation, holds cultural and astronomical significance in Indian tradition, symbolizing a group of stars that is integral to understanding …
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siddhapedia.com
https://siddhapedia.com › saptarshi
Saptarshi - Siddha Pedia
Jul 15, 2024 · The term “Saptarshi” (सप्तऋषि, “saptaṛṣi”) means “seven sages,” derived from “sapt” (सप्त, “sapta”) (seven) and “rishis” (ऋषि, “ṛṣi”) (sages). These revered figures hold a …
Related searches for +SAPTARSHI
A PAST RISH
SAPTARSHI
A STAR SHIP
BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT
ESOTERIC = I SECRET O = ESOTERIC
ESOTERIC 9 SECRET 6 ESOTERIC
ESOTERIC 6 SECRET 9 ESOTERIC
ESOTERIC = O SECRET I = ESOTERIC
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
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|
|
|
Reduce to Deduce |
1+8 |
- |
- |
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Essence of Number |
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|
|
|
EXOTERIC |
- |
- |
|
5 |
EXOTE |
69 |
24 |
6 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
C |
3 |
3 |
3 |
8 |
EXOTERIC |
|
|
|
- |
- |
9+9 |
4+5 |
2+7 |
|
EXOTERIC |
|
|
|
- |
- |
1+8 |
5+4 |
2+7 |
|
EXOTERIC |
|
|
|
|
ESOTERIC |
- |
- |
|
5 |
ESOTE |
64 |
19 |
1 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
C |
3 |
3 |
3 |
8 |
ESOTERIC |
|
|
|
- |
- |
9+4 |
4+0 |
2+2 |
|
ESOTERIC |
|
|
|
- |
- |
1+3 |
- |
- |
|
ESOTERIC |
|
|
|
8 |
|
99 |
45 |
|
8 |
|
94 |
40 |
|
16 |
First Total |
|
|
|
1+6 |
Add to Reduce |
1+9+3 |
8+5 |
1+3 |
7 |
Second Total |
13 |
13 |
|
8 |
Reduce to Deduce |
1+3 |
1+3 |
|
|
Essence of Number |
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
E |
5 |
5 |
|
|
S |
19 |
10 |
|
|
O |
15 |
6 |
|
|
T |
20 |
2 |
|
|
E |
5 |
5 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
4+0 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
E |
5 |
5 |
|
|
SOT |
54 |
18 |
|
|
E |
5 |
5 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
4+0 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
ESOTE |
64 |
28 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
4+0 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
I |
9 |
9 |
|
|
SECRET |
70 |
34 |
|
|
O |
15 |
6 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
2+2 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|

|
ESOTERIC |
|
|
|
|
O |
15 |
6 |
|
|
SECRET |
70 |
34 |
|
|
I |
9 |
9 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
2+2 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
THE LOST LANGUAGE OF SYMBOLISM
Harold Bayley 1912
Page 278
""According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."
Page 278
"ONE-EYE, TWO-EYES, THREE-EYES"
"According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH,
THE
LOST LANGUAGE OF SYMBOLISM
AN ENQUIRY INTO THE ORIGIN OF CERTAIN
LETTERS, WORDS, NAMES, FAIRY-TALES, FOLK-LORE AND MYTHOLOGIES
Harold Bayley 1912
"The Hebrew for man is ish and for woman isha."
Page 300
"Each language, whether Sanscrit or Zulu, is like a palimpsest, which, if carefully handled, will disclose the original text beneath the superficial writing, and though that original text may be more difficult to recover in illiterate languages, yet it is there nevertheless. Every language, if properly summoned, will reveal to us the mind of the artist who framed it, from its earliest awakening to its latest dreams. Everyone will teach us the same lesson, the lesson on which the whole Science of Thought is based, that there is no language without reason, as there is no reason with.out language."1 An analysis of the several terms for man, soul, or spirit reveals the time-honoured belief that the human race emerged in its infancy from the Great Light, and that every human soul was a spark or fragment of the EverExistent Oversoul. The Egyptian for man was se, the German for soul is seele - cognate with Selah! - and meaning likewise the "Light of the Everlasting." The Dutch for soul is ziel, the fiery light of God, and the English soul was once presumably is ol, the essence or light of God.2 The Hebrew for man is ish and for woman isha.
THE HOLY BIBLE
Scofield References
Hosea Chapter 2
Page 922/923
16
And it shall be at that day, saith the LORD, that thou shalt call me Ishi; and shalt call me no more Baali.
AND IT SHALL BE AT THAT DAY SAITH THE LORD THAT THOU SHALT CALL ME
ISHI
1 |
I |
9 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
4 |
ISHI |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
S+H |
27 |
9 |
9 |
- |
I |
9 |
9 |
9 |
4 |
ISHI |
45 |
27 |
27 |
- |
- |
4+5 |
2+7 |
2+7 |
4 |
ISHI |
9 |
9 |
9 |
BHAGAVAD GITA
ARUJNA KRISHNA VISHNU SHIVA BRAHMA
MANY LIVES ARJUNA HAVE I LIVED
I
KRISHNA
REMEMBER THEM ALL ARJUNA THOU DOST NOT
I
ME
I SAY ISIS SAY I
I SAY OSIRIS SAY I
I SAY CHRIST SAY I
I SAY KRISHNA SAY I
I SAY RISHI ISHI ISHI RISHI SAY I
I SAY VISHNU SHIVA SHIVA VISHNU SAY I
ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN
OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON
WISDOM OF THE EAST
by Hari Prasad Shastri 1948
Page 8
"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'
- |
SHRISTI |
- |
- |
- |
|
SH |
27 |
18 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
ST |
39 |
12 |
|
|
I |
9 |
9 |
|
7 |
SHRISTI |
102 |
32 |
14 |
- |
- |
7+7 |
3+2 |
1+4 |
7 |
SHRISTI |
14 |
5 |
5 |
THE
OSIRIS SO IRIS SO OSIRIS
CHRISTOS SO CHRIST SO CHRISTOS
THE
CHRIST ISIS CHRIST
FRATERNAL GREETINGS CITIZENS OF THE CITY OF NINE GATES
FRATERNAL GREETINGS CITIZENS OF PLANET EARTH
FRATERNAL GREETINGS CITIZENS OF THE UNIVERSE
FRATERNAL GREETINGS UNIVERSAL CITIZEN
THOUGHTS OF LOVE OF LIGHT AND OF PEACE UNTO ALL SENTIENT BEINGS
CHEIRO'S
BOOK OF NUMBERS
Circa 1926
Page
99
"At the 9th hour the Saviour died on the Cross."
The Romans held a feast in memory of their dead every 9th year.
In some of the Hebrew writings it is taught that God has 9 times descended to this earth:
1st in the Garden of Eden,
2nd at the confusion of tongues at Babel,
3rd at the destruction of Sodom and Gomorrah, 4th to Moses at Horeb,
5th at Sinai when the Ten Commandments were given,
6th to Balaam,
7th to Elisha,
8th in the Tabernacle,
9th in the Temple at Jerusalem,
and it is taught that at the l0th coming this earth will pass away and a new one will be created.
Both the First and Second Temples of the Jews were destroyed on the 9th day of the Jewish month called Ab. On the 9th day of Ab all modem Jews who follow their religion cannot wear the Talith and Phylacteries until the Sun has set.
There are so many curious things con nected with the Number 9 that it would / Page 100 / not be possible to deal with one half of them in a book of this description"
CHEIRO'S BOOK OF NUMBERS
Circa 1926
Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English literature for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.
The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
THE
QUESTION
HAS BEEN ASKED AGAIN AND AGAIN
IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE
THE TIDE AT THE
FLOOD
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
Q |
= |
8 |
|
8 |
QUESTION |
120 |
39 |
3 |
H |
= |
8 |
|
3 |
HAS |
28 |
10 |
1 |
B |
= |
2 |
|
4 |
BEEN |
26 |
17 |
8 |
A |
= |
1 |
|
5 |
ASKED |
40 |
13 |
4 |
A |
= |
1 |
|
5 |
AGAIN |
32 |
23 |
5 |
A |
= |
1 |
|
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
|
5 |
AGAIN |
32 |
23 |
5 |
I |
= |
9 |
|
2 |
IS |
28 |
10 |
1 |
T |
= |
2 |
|
5 |
THERE |
56 |
29 |
2 |
S |
= |
1 |
|
4 |
SOME |
52 |
16 |
7 |
M |
= |
4 |
|
5 |
MEANS |
52 |
16 |
7 |
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
K |
= |
2 |
|
7 |
KNOWING |
93 |
39 |
3 |
W |
= |
5 |
|
4 |
WHEN |
50 |
23 |
5 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
M |
= |
4 |
|
6 |
MOMENT |
80 |
26 |
8 |
H |
= |
8 |
|
3 |
HAS |
28 |
10 |
1 |
C |
= |
3 |
|
4 |
COME |
36 |
18 |
9 |
T |
= |
2 |
|
2 |
TO |
35 |
8 |
8 |
T |
= |
2 |
|
4 |
TAKE |
37 |
10 |
1 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
T |
= |
2 |
|
4 |
TIDE |
38 |
20 |
2 |
A |
= |
1 |
|
2 |
AT |
21 |
3 |
3 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
|
5 |
FLOOD |
52 |
25 |
7 |
B |
- |
87 |
|
104 |
First Total |
|
|
|
- |
- |
8+7 |
|
1+0+4 |
Add to Reduce |
1+1+0+8 |
4+6+0 |
1+1+8 |
- |
- |
15 |
|
5 |
Second Total |
|
|
|
- |
- |
1+5 |
|
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
6 |
- |
|
Essence of Number |
|
|
|
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
8 |
QUO VADIS |
108 |
36 |
9 |
6 |
VOX POP |
108 |
36 |
9 |
11 |
SORROW |
108 |
36 |
9 |
8 |
INSTINCT |
108 |
36 |
9 |
11 |
DESCENDANTS |
108 |
36 |
9 |
8 |
STARTING |
108 |
36 |
9 |
9 |
NARRATIVE |
108 |
36 |
9 |
9 |
SEQUENCES |
108 |
36 |
9 |
9 |
COMPLETES |
108 |
36 |
9 |
9 |
AMBIGUOUS |
108 |
36 |
9 |
7 |
JOURNEY |
108 |
36 |
9 |
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
We believe there is a common language that all technical civilizations, no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the same everywhere:..."
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THE
JOURNEYMAN
1977

THE JOURNEY WOMAN 1978
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UNIVERSAL SOLDIER
ADVENT 344 ADVENT
TABLE, THE HUMAN CONSCIENCE |
TABLE, THE HUMAN CONSCIOUSNESS |
TABLE, COMMUNICATION, COMMUNICATE, COMMUNICATES, |
TABLE, COMPUTER, COMMUNES |
TABLE, COME, COM, OM, SEE |
TABLE, THE MIND OF MIN, THIRTEEN |
TABLE, AIR, IR, IR, FIRE |
TABLE, AIR, A, FE, FIRE |
TABLE, I, I-AM |
TABLE, IMAGER, IMAGE, IMAGES, IMAGERS, IMAGINARY, IMAGINATION |
TABLE, REIS |
TABLE, WEPWAWET, UPUAUT |
TABLE, ANUBIS A NUMBER IS, ANUBIS, A, NUMBER, IS, A NUMBER IS |
TABLE, THE DOG GOD ANUBIS NUMBER IS |
TABLE, THE DOG GOD ANUBIS, A NUMBER IS |
TABLE, VISHNU |
TABLE, VISHNU, I, SHUN, V, VISHNU |
TABLE, RAINBOW, GOD |
TABLE, THE PYRAMID TEXTS, THE, PYRAMID, TEXTS |
TABLE, NEFERIRKARA, PEPI, UNAS |
TABLE, UNAS, A, SUN, UNAS |
TABLE, SAQQARA, SAKKARA |
TABLE, NEFERIRKARA, NEFE, R, I, R, KA, R, A |
TABLE, VISHNU, ISH, VNU |
TABLE, VISHNU, VISUAL, VISU, AL, VISUAL |
TABLE, VISION, VISHNU, SHIVA |
TABLE, SAH-OSIRIS, SAH, OSIRIS |
TABLE, SAH, SAHU, SAHU-ORION |
TABLE, ORION, OSIRIS, ORIONIS, ORISON, HORUS, HORIZON |
TABLE, QUEEN, HATSHEPSU, HA, T, SH, EPSU |
TABLE, THE GREAT MOTHER, THE, GREAT, MOTHER |
TABLE, MIND, REBORN, OUT, THE, IN, OF, THE, GREAT, MOTHERS, MOUTH |
TABLE, MOUTH, OF, THE, WOMB, THIRTEEN |
TABLE, QUEEN, HATSHEPSU |
TABLE, HATSHEPSU |
TABLE, HAMMEMIT, HAMM, EMIT |
TABLE, HAMMEMIT, MMAH, TIME |
TABLE, HAMMEMIT, HA, MM, EM, I, T |
TABLE, PRIMAL, PRIME |
TABLE, PRIME, P, R, I, M, E |
TABLE, PRIME NUMBERS, PRIME, NUMBERS |
TABLE, THE, GREAT, MOTHER, GOD |
TABLE, MOUTH, WOMB, OPENING, OPEN, OPENS, WHOLE, HOLE, ZERO, ONE, |
ATEN, THE ATEN |
TABLE, HATI, HA, T, I |
TABLE, HATI, HAITI |
TABLE, HATE, LOVE |
TABLE, KA, AB, BA |
TABLE, KAB |
TABLE, OSIRIS |
- |
THE HUMAN CONSCIENCE |
- |
- |
- |
|
THE |
33 |
15 |
|
|
HUMAN |
57 |
21 |
|
|
CONSCIENCE |
90 |
45 |
|
18 |
THE HUMAN CONSCIENCE |
180 |
81 |
18 |
1+8 |
- |
1+8+0 |
8+1 |
1+8 |
9 |
THE HUMAN CONSCIENCE |
9 |
9 |
9 |
- |
|
- |
- |
- |
|
THE |
33 |
15 |
|
|
HUMAN |
57 |
21 |
|
|
CONSCIOUSNESS |
175 |
49 |
|
21 |
THE HUMAN CONSCIOUSNESS |
265 |
85 |
13 |
2+1 |
- |
2+6+5 |
8+5 |
1+3 |
3 |
THE HUMAN CONSCIOUSNESS |
13 |
13 |
4 |
- |
- |
1+3 |
1+3 |
- |
3 |
THE HUMAN CONSCIOUSNESS |
4 |
4 |
4 |
8 |
COMPUTER |
111 |
39 |
3 |
9 |
COMPUTERS |
130 |
49 |
4 |
11 |
COMMUNICATE |
117 |
45 |
9 |
12 |
COMMUNICATES |
181 |
46 |
1 |
13 |
COMMUNICATION |
150 |
60 |
6 |
11 |
COMMUNICATE |
117 |
45 |
9 |
9 |
COMMUNITY |
133 |
43 |
7 |
7 |
COMMUNE |
84 |
30 |
3 |
7 |
COMPUTE |
93 |
30 |
3 |
4 |
COME |
36 |
18 |
9 |
4 |
COME |
36 |
18 |
9 |
3 |
COM |
31 |
13 |
4 |
2 |
OM |
28 |
10 |
1 |
3 |
SEE |
29 |
11 |
2 |
12 |
THE MIND OF MIN |
130 |
13 |
4 |
8 |
THIRTEEN |
99 |
45 |
9 |
A |
= |
1 |
3 |
AIR |
28 |
19 |
1 |
- |
- |
- |
- |
I+R |
27 |
18 |
9 |
- |
- |
- |
- |
I+R |
27 |
18 |
9 |
F |
= |
6 |
4 |
FIRE |
38 |
29 |
2 |
3 |
AIR |
28 |
19 |
1 |
- |
A |
1 |
1 |
1 |
- |
F+E |
11 |
2 |
2 |
4 |
FIRE |
38 |
29 |
2 |
I |
= |
9 |
5 |
IMAGE |
35 |
26 |
8 |
I |
= |
9 |
6 |
IMAGES |
54 |
27 |
9 |
I |
= |
9 |
6 |
IMAGER |
53 |
35 |
8 |
I |
= |
9 |
7 |
IMAGERS |
72 |
36 |
9 |
I |
= |
9 |
9 |
IMAGINARY |
97 |
52 |
7 |
I |
= |
9 |
11 |
IMAGINATION |
112 |
58 |
4 |
8 |
WEPWAWET |
116 |
35 |
8 |
6 |
UPUAUT |
100 |
19 |
1 |
- |
ANUBIS A NUMBER IS |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
ANUBIS |
66 |
30 |
|
|
A |
1 |
1 |
|
|
NUMBER |
73 |
28 |
|
|
IS |
28 |
19 |
|
|
A NUMBER IS |
102 |
48 |
|
21 |
THE DOG GOD ANUBIS NUMBER IS |
234 |
126 |
9 |
15 |
THE DOG GOD ANUBIS |
133 |
79 |
7 |
9 |
A NUMBER IS |
102 |
48 |
3 |
24 |
First Total |
|
|
|
|
Add to Reduce |
2+3+5 |
1+2+7 |
1+0 |
6 |
Second Total |
|
|
|
|
Add to Reduce |
1+0 |
1+0 |
- |
6 |
Essence of Number |
|
|
|
|
V |
I |
S |
H |
N |
U |
|
|
|
|
|
|
|
- |
|
- |
9 |
1 |
8 |
5 |
- |
|
|
|
|
= |
|
- |
|
|
- |
9 |
19 |
8 |
14 |
- |
|
|
|
|
= |
|
|
|
|
V |
I |
S |
H |
N |
U |
|
|
|
|
|
|
|
- |
|
4 |
- |
- |
- |
- |
3 |
|
|
|
|
= |
|
- |
|
|
22 |
- |
- |
- |
- |
21 |
|
|
|
|
= |
|
|
|
|
V |
I |
S |
H |
N |
U |
|
|
|
|
|
|
|
- |
|
22 |
9 |
19 |
8 |
14 |
21 |
|
|
|
|
= |
|
|
|
|
4 |
9 |
1 |
8 |
5 |
3 |
|
|
|
|
= |
|
- |
|
|
V |
I |
S |
H |
N |
U |
|
|
|
|
|
|
|
- |
- |
- |
- |
1 |
1 |
- |
1 |
|
|
|
occurs |
x |
|
= |
1 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
-- |
- |
- |
- |
- |
- |
3 |
|
|
|
occurs |
x |
|
= |
3 |
- |
4 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
4 |
- |
- |
- |
- |
- |
5 |
- |
|
|
|
occurs |
x |
|
= |
5 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
-- |
- |
- |
- |
8 |
- |
- |
- |
- |
|
occurs |
x |
|
= |
8 |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
9 |
|
V |
I |
S |
H |
N |
U |
|
|
30 |
|
|
|
|
|
|
- |
9 |
- |
- |
- |
|
|
|
3+0 |
- |
- |
- |
- |
3+0 |
|
V |
I |
S |
H |
N |
U |
|
|
3 |
|
|
|
|
|
6 |
VISHNU |
|
|
|
|
I |
9 |
9 |
|
|
SHUN |
62 |
26 |
|
|
V |
22 |
4 |
|
6 |
VISHNU |
- |
- |
- |
7 |
RAINBOW |
82 |
37 |
1 |
3 |
GOD |
26 |
17 |
8 |
10 |
|
|
|
|
|
|
1+0+8 |
5+4 |
- |
1 |
|
|
|
|
- |
|
- |
- |
- |
|
THE |
33 |
15 |
|
|
PYRAMID |
86 |
41 |
|
|
TEXTS |
88 |
16 |
|
15 |
THE PYRAMID TEXTS |
207 |
72 |
18 |
1+5 |
- |
2+0+7 |
7+2 |
1+8 |
6 |
THE PYRAMID TEXTS |
9 |
9 |
9 |
11 |
NEFERIRKARA |
106 |
61 |
7 |
4 |
PEPI |
46 |
28 |
1 |
4 |
UNAS |
55 |
19 |
1 |
4 |
UNAS |
- |
- |
- |
|
A |
1 |
1 |
|
|
SUN |
54 |
18 |
|
4 |
UNAS |
55 |
19 |
10 |
- |
- |
5+5 |
1+9 |
1+0 |
4 |
UNAS |
10 |
10 |
1 |
- |
- |
1+0 |
1+0 |
- |
4 |
UNAS |
|
|
1 |
7 |
SAQQARA |
74 |
29 |
2 |
7 |
SAKKARA |
62 |
17 |
8 |
11 |
NEFERIRKARA |
- |
- |
- |
|
N+E+F+E |
30 |
21 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
K+A |
12 |
3 |
|
|
R |
18 |
9 |
|
|
A |
1 |
1 |
|
11 |
NEFERIRKARA |
106 |
61 |
43 |
1+1 |
- |
1+0+6 |
6+1 |
4+3 |
2 |
NEFERIRKARA |
7 |
7 |
7 |
6 |
VISHNU |
- |
- |
- |
|
I+S+H |
36 |
18 |
|
|
V+N+U |
57 |
12 |
|
6 |
VISHNU |
- |
- |
- |
6 |
VISHNU |
93 |
30 |
3 |
- |
- |
- |
- |
- |
6 |
VISUAL |
- |
- |
- |
|
V+I+S+U |
71 |
26 |
|
|
A+L |
13 |
4 |
|
6 |
VISUAL |
84 |
30 |
3 |
- |
- |
8+4 |
3+0 |
- |
6 |
VISUAL |
12 |
3 |
3 |
- |
- |
1+2 |
- |
- |
6 |
VISUAL |
|
|
3 |
6 |
VISION |
88 |
34 |
7 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
23 |
5 |
- |
SAH-OSIRIS |
- |
- |
- |
|
SAH |
28 |
19 |
|
|
OSIRIS |
89 |
35 |
|
9 |
OSIRIS-SAH |
117 |
54 |
9 |
- |
- |
1+1+7 |
5+4 |
- |
9 |
SAH-OSIRIS |
9 |
9 |
9 |
3 |
SAH |
28 |
10 |
1 |
4 |
SAHU |
49 |
13 |
4 |
9 |
SAHU-ORION |
120 |
48 |
3 |
5 |
ORION |
71 |
35 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
7 |
ORIONIS |
99 |
45 |
9 |
6 |
ORISION |
90 |
36 |
9 |
5 |
HORUS |
81 |
27 |
9 |
7 |
HORIZON |
105 |
51 |
6 |
5 |
QUEEN |
62 |
26 |
8 |
9 |
HATSHEPSU |
- |
- |
- |
|
H+A |
9 |
9 |
|
|
T |
20 |
2 |
|
|
S+H |
27 |
18 |
|
|
E+P+S+U |
61 |
25 |
|
9 |
HATSHEPSU |
117 |
54 |
27 |
- |
- |
1+1+7 |
5+4 |
2+7 |
9 |
HATSHEPSU |
9 |
9 |
9 |
QUEEN
HATSHEPSUT
5 |
QUEEN |
62 |
26 |
8 |
9 |
HATSHEPSUT |
- |
- |
- |
|
H+A |
9 |
9 |
|
|
T |
20 |
2 |
|
|
S+H |
27 |
18 |
|
|
E+P+S+U+T |
81 |
27 |
|
9 |
HATSHEPSUT |
137 |
56 |
29 |
- |
- |
1+3+7 |
5+4 |
2+7 |
9 |
HATSHEPSUT |
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
9 |
HATSHEPSUT |
2 |
2 |
2 |
PHARAOH = 67 - 40 - 4 = PHARAOH
THUTMOSE = 121- 31 - 4 = THUTMOSE
Hatshepsut[a] (/hɑːtˈʃɛpsʊt/ haht-SHEPP-sut; c. 1507–1458 BC) was the Great Royal Wife of Pharaoh Thutmose II and the sixth pharaoh of the Eighteenth Dynasty of Egypt, ruling first as regent, then as queen regnant from c. 1479 BC until c. 1458 BC (Low Chronology).[8] She was Egypt's second confirmed woman who ruled in her own right, the first being Sobekneferu/Nefrusobek in the Twelfth Dynasty.
Hatshepsut was the daughter of Thutmose I and Great Royal Wife, Ahmose. Upon the death of her husband and half-brother Thutmose II, she had initially ruled as regent to her stepson, Thutmose III, who inherited the throne at the age of two. Several years into her regency, Hatshepsut assumed the position of pharaoh and adopted the full royal titulary, making her a co-ruler alongside Thutmose III. In order to establish herself in the Egyptian patriarchy, she took on traditionally male roles and was depicted as a male pharaoh, with physically masculine traits and traditionally male garb. She emphasized both the qualities of men and women to convey the idea that she was both a mother and father to the realm.[9] Hatshepsut's reign was a period of great prosperity and general peace. One of the most prolific builders in Ancient Egypt, she oversaw large-scale construction projects such as the Karnak Temple Complex, the Red Chapel, the Speos Artemidos and most famously, the Mortuary Temple of Hatshepsut at Deir el-Bahari.
Hatshepsut probably died in Year 22 of the reign of Thutmose III.[10] Towards the end of the reign of Thutmose III and into the reign of his son Amenhotep II, an attempt was made to remove her from official accounts of Egyptian historiography: her statues were destroyed, her monuments were defaced, and many of her achievements were ascribed to other pharaohs.
- |
THE GREAT MOTHER |
- |
- |
- |
|
THE |
33 |
15 |
|
|
GREAT |
51 |
24 |
|
|
MOTHER |
79 |
34 |
|
14 |
THE GREAT MOTHER |
163 |
73 |
19 |
1+4 |
- |
1+6+3 |
7+3 |
1+9 |
5 |
THE GREAT MOTHER |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
5 |
THE GREAT MOTHER |
1 |
1 |
1 |
M |
= |
13 |
= |
4 |
4 |
MIND |
40 |
22 |
4 |
R |
= |
18 |
= |
9 |
6 |
REBORN |
72 |
36 |
9 |
O |
= |
15 |
= |
6 |
3 |
OUT |
56 |
11 |
2 |
T |
= |
20 |
= |
2 |
3 |
THE |
33 |
15 |
6 |
I |
= |
9 |
= |
9 |
2 |
IN |
9 |
9 |
9 |
O |
= |
15 |
= |
6 |
2 |
OF |
21 |
12 |
3 |
T |
= |
20 |
= |
2 |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
= |
7 |
6 |
GREAT |
51 |
24 |
6 |
M |
= |
13 |
= |
4 |
7 |
MOTHERS |
98 |
35 |
8 |
M |
= |
5 |
= |
5 |
5 |
MOUTH |
77 |
23 |
5 |
- |
- |
143 |
- |
53 |
|
- |
|
|
|
- |
- |
1+4+3 |
- |
5+3 |
|
- |
5+0+4 |
2+0+7 |
5+4 |
- |
- |
8 |
- |
8 |
|
- |
|
|
|
5 |
MOUTH |
77 |
23 |
5 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
4 |
WOMB |
53 |
17 |
8 |
14 |
|
|
|
|
|
|
1+8+4 |
6+7 |
2+2 |
5 |
|
|
|
|
8 |
THIRTEEN |
99 |
45 |
9 |
8 |
HAMMEMIT |
- |
- |
- |
|
H+A+M+M |
35 |
17 |
|
|
E+M+I+T |
47 |
20 |
|
8 |
HAMMEMIT |
- |
- |
- |
8 |
HAMMEMIT |
- |
- |
- |
|
M+M+A+H |
35 |
17 |
|
|
T+I+M+E |
47 |
20 |
|
8 |
HAMMEMIT |
82 |
37 |
10 |
- |
- |
8+2 |
3+7 |
1+0 |
8 |
HAMMEMIT |
10 |
10 |
1 |
- |
- |
1+0 |
1+0 |
- |
8 |
HAMMEMIT |
|
|
1 |
8 |
HAMMEMIT |
- |
- |
- |
|
H+A |
9 |
9 |
|
|
M+M |
26 |
8 |
|
|
E+M |
18 |
9 |
|
|
I |
9 |
9 |
|
|
T |
20 |
2 |
|
8 |
HAMMEMIT |
82 |
37 |
37 |
- |
- |
8+2 |
3+7 |
3+7 |
8 |
HAMMEMIT |
10 |
10 |
1 |
- |
- |
1+0 |
1+0 |
- |
8 |
HAMMEMIT |
|
|
1 |
6 |
PRIMAL |
69 |
33 |
6 |
5 |
PRIME |
61 |
34 |
7 |
5 |
PRIME |
- |
- |
- |
|
P |
16 |
7 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
M |
13 |
4 |
|
|
E |
5 |
5 |
|
5 |
PRIME |
- |
- |
- |
- |
PRIME NUMBERS |
- |
- |
- |
|
PRIME |
61 |
34 |
|
|
NUMBERS |
92 |
29 |
|
12 |
PRIME NUMBERS |
153 |
63 |
9 |
1+2 |
- |
1+5+3 |
6+3 |
- |
3 |
PRIME NUMBERS |
9 |
9 |
9 |
3 |
THE |
33 |
15 |
6 |
5 |
GREAT |
51 |
24 |
6 |
6 |
MOTHER |
79 |
34 |
7 |
3 |
GOD |
26 |
17 |
8 |
17 |
First Total |
|
|
|
|
Add to Reduce |
1+8+9 |
9+0 |
2+7 |
8 |
Second Total |
|
|
|
|
Add to Reduce |
1+8 |
- |
- |
8 |
Essence of Number |
|
|
|
5 |
MOUTH |
77 |
23 |
5 |
4 |
WOMB |
53 |
17 |
8 |
7 |
OPENING |
80 |
44 |
8 |
4 |
OPEN |
50 |
23 |
5 |
5 |
OPENS |
69 |
24 |
6 |
5 |
WHOLE |
63 |
27 |
9 |
4 |
HOLE |
40 |
22 |
4 |
4 |
ZERO |
64 |
28 |
1 |
3 |
ONE |
34 |
16 |
7 |
4 |
ATEN |
40 |
13 |
4 |
7 |
THE ATEN |
73 |
28 |
1 |
4 |
HATI |
- |
- |
- |
|
H+A |
9 |
9 |
|
|
T |
20 |
2 |
|
|
I |
9 |
9 |
|
4 |
HATI |
38 |
20 |
20 |
- |
- |
3+8 |
2+0 |
2+0 |
4 |
HATI |
11 |
2 |
2 |
- |
- |
1+1 |
- |
- |
4 |
HATI |
|
|
2 |
From Wikipedia, the free encyclopedia
Not to be confused with Haiti.
Hati Hróðvitnisson
Norse mythology character
"Far away and long ago" (1920) by Willy Pogany.
In-universe information
Alias Mánagarmr
Species Warg
Family Fenrir (father)
In Norse mythology, Hati Hróðvitnisson (first name meaning "He Who Hates", or "Enemy"[1]) is a warg; a wolf that, according to Snorri Sturluson's Prose Edda, chases Máni, the Moon, across the night sky, just as the wolf Sköll chases Sól, the Sun, during the day, until the time of Ragnarök, when they will swallow these heavenly bodies. Snorri also gives another name for a wolf who swallows the Moon, Mánagarmr ([ˈmɑːnɑˌɡɑrmz̠], "Moon-Hound", or "Moon's Dog").
Hati's patronymic Hróðvitnisson, attested in both the Eddic poem "Grímnismál" and the Gylfaginning section of the Prose Edda, indicates that he is the son of Fenrir, for whom Hróðvitnir ("Famous Wolf") is an alternate name. According to Snorri, Hati's mother is the giantess, not named but mentioned in the Eddic poem "Völuspá", who dwells to the east of Midgard in the forest of Járnviðr ("Ironwood") and "fosters Fenrir's kin". Snorri states that this giantess and witch bears many giants for sons, all in the form of wolves, including Hati and Sköll, who is thus implied to be Hati's brother. In two verses of "Völuspá" that Snorri cites, an unnamed son of this giantess is prophesied to snatch the Moon,[2] and also eat the flesh of the dead, spattering the heavens with blood. In contrast the Eddic poem "Vafþrúðnismál" states that Fenrir himself will destroy the sun.[3]
Mánagarmr
4 |
HATI |
38 |
20 |
2 |
5 |
HAITI |
47 |
29 |
2 |
4 |
HATE |
34 |
16 |
7 |
4 |
LOVE |
54 |
18 |
9 |
8 |
First Total |
|
|
|
|
Add to Reduce |
8+8 |
3+4 |
1+6 |
8 |
Second Total |
|
|
|
|
Add to Reduce |
1+6 |
- |
- |
8 |
Essence of Number |
|
|
|
2 |
KA |
12 |
3 |
3 |
2 |
AB |
3 |
3 |
3 |
2 |
BA |
3 |
3 |
3 |
KARMA
A
MARK MADE
OSIRIS ISIS SIRIUS
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S |
= |
1 |
- |
4 |
SIGN |
49 |
22 |
4 |
S |
= |
1 |
- |
5 |
SIGNS |
68 |
23 |
5 |
S |
= |
1 |
- |
6 |
SIGNAL |
62 |
26 |
8 |
S |
= |
1 |
- |
7 |
SIGNALS |
81 |
27 |
9 |
S |
= |
1 |
- |
6 |
SIGNALLED |
164 |
38 |
2 |
S |
= |
1 |
- |
7 |
SIGNALLING |
104 |
50 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
6 |
SYMBOL |
86 |
23 |
5 |
S |
= |
1 |
- |
7 |
SYMBOLS |
105 |
24 |
6 |
S |
= |
1 |
- |
9 |
SYMBOLISE |
119 |
38 |
2 |
S |
= |
1 |
- |
9 |
SYMBOLOGY |
133 |
43 |
7 |
S |
= |
1 |
- |
10 |
SYMBOLISED |
123 |
42 |
6 |
S |
= |
1 |
- |
11 |
SYMBOLISING |
144 |
54 |
9 |
S |
= |
1 |
- |
12 |
SYMBOLOGICAL |
133 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
92 |
29 |
2 |
N |
= |
5 |
- |
7 |
NUMERAL |
84 |
30 |
3 |
N |
= |
5 |
- |
8 |
NUMERALS |
103 |
31 |
4 |
N |
= |
5 |
- |
9 |
NUMERICAL |
96 |
42 |
6 |
N |
= |
5 |
- |
8 |
NUMBERED |
82 |
37 |
1 |
N |
= |
5 |
- |
9 |
NUMBERING |
103 |
49 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
5 |
DIGIT |
49 |
31 |
4 |
D |
= |
4 |
- |
6 |
DIGITS |
68 |
32 |
5 |
D |
= |
4 |
- |
7 |
DIGITAL |
62 |
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
6 |
LETTER |
80 |
26 |
8 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
L |
= |
3 |
- |
8 |
LETTERED |
89 |
35 |
9 |
L |
= |
3 |
- |
9 |
LETTERING |
110 |
56 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
5 |
COUNT |
73 |
19 |
1 |
C |
= |
3 |
- |
6 |
COUNTS |
92 |
20 |
2 |
C |
= |
3 |
- |
7 |
COUNTED |
82 |
28 |
1 |
C |
= |
3 |
- |
8 |
COUNTING |
103 |
40 |
4 |
C |
= |
3 |
- |
9 |
COUNTLESS |
128 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
6 |
CYPHER |
75 |
39 |
3 |
C |
= |
3 |
- |
7 |
CYPHERS |
94 |
40 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
7 |
ENCRYPT |
101 |
28 |
1 |
E |
= |
5 |
- |
8 |
ENCRYPTS |
120 |
39 |
3 |
E |
= |
5 |
- |
9 |
ENCRYPTED |
110 |
47 |
2 |
E |
= |
5 |
- |
10 |
ENCRYPTION |
139 |
58 |
4 |
E |
= |
5 |
- |
10 |
ENCRYPTING |
131 |
59 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
4 |
GODS |
45 |
18 |
9 |
C |
= |
3 |
- |
5 |
CYCLE |
48 |
21 |
3 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
6 |
CIRCLE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
6 |
CIRCLE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
5 |
CYCLE |
48 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
8 |
CREATORS |
99 |
36 |
9 |
D |
= |
4 |
- |
6 |
DIVINE |
63 |
36 |
9 |
E |
= |
5 |
- |
7 |
ETERNAL |
75 |
30 |
3 |
L |
= |
3 |
- |
6 |
LIVING |
73 |
37 |
1 |
M |
= |
4 |
- |
4 |
MIND |
40 |
22 |
4 |
BODY MAGIC
AN ENCYCLOPAEDIA OF ESOTERIC MAN
Benjamin Walker 1979
MEDITATION
Page 236
An aid to mental development, and, according to its advocates, to
' spiritual advancement and enlightenment, involves a great deal of mental discipline. Some people have a natural aptitude for meditation, but most need to adopt guidelines and follow certain fixed procedures. Meditation is an ordered course in a particular direction aimed at a predetermined goal in a form of self-induced xenophrenia. Throughout the meditative process, even during all the apparently 'unconscious' or trance phases, there is /Page 237 /tinuity of conscious awareness. Meditation can confer genuine benefits, but is not without its pitfalls. The four chief stages in the meditative tradition are briefly outlined below.
(1) Attention, the first stage, is said to be like 'preparing to enter the pool of the mind'. It requires an intentness of consciousness, the direction of awareness by an act of will. But because men are constantly beset by irrelevant lures and diverted by transient issues, they need meditative aids, which are provided at this stage. This first phase is known in yoga as pratyahara, 'withholding', or the exclusion of distractions from the mind such as sense objects and conceptual notions. In Buddhist meditation one can start by focusing the mind on a simple object such as a bare pole standing upright on the ground. It must be done in a state of 'relaxed attentiveness', with no attempt at analytical thought. When extraneous thoughts arise one must not follow them; they should be disregarded, as bubbles on the surface, and allowed to burst and vanish.
Psychologists point out, however, that rigid, undeviating attention can also be pathological in origin. It is then known as hyperprosexia (Gk. pros, 'over', exo, 'to hold'), a psychotic condition in which the mind takes hold of an idea with unshakeable fixity. This is found in various kinds of mental disorder. Certain forms of monoideism (singleness of idea), as in ceaseless daydreaming; or in erotic, status or power fantasizing; and monomania, where the mind is obsessed with a single thought (idee fixe), and one keeps reverting to it in speech, are symptomatic of the same pathology. A number of seemingly paranormal faculties have been explained in terms of such hyperprosexia, where the powers of attention, observation and discrimination are at work to an abnormal degree, so that people can apparently see, hear and feel things that are beyond the scope of the average person.
(2) Concentration, the next stage, is the ability to centre one's consciousness on a subject without being distracted. It is 'entering the pool of the mind'. In yoga this stage is known as dharana, 'holding'. In the Buddhist system the exercise of the previous stage may be advanced to include some such qualification as : think of the same pole, but do not think of a monkey climbing it. The idea of the monkey has now been suggested to the student and he has deliberately to exclude it from consciousness. This is achieved without strain or effort, and in a condition of 'passive concentration'. Great /Page238/powers accrue from concentration. Sir John Woodroffe (d. 1908),
authority on tantrik yoga, wrote that by means of concentration alone, certain yogis are able to kill insects, birds and even larger animals. They can light a fire without flint or matches, by the same means.
The great mathematician and engineer, Archimedes (d. 212 Bc) of Syracuse, is supposed to have had extraordinary powers of concentration. The story goes that once deeply absorbed in a problem he unconsciously registered the rise of the water level as he immersed his body in the tub for a bath, and in a flash conceived the idea of an important hydrostatic principle. So profound was his mood that he immediately rushed through the streets crying, `Eureka! Eureka!' (I have it), quite unaware of the fact that he was still naked. The same genius during the capture of his beloved Syracuse by the Roman general, Marcellus, had been so absorbed in some mathematical diagrams he had drawn in the dust, that he said to a Roman soldier who came too close, `Do not disturb my circles, fellow,' which so annoyed the Roman that he killed him, in spite of specific instructions from Marcellus that the great scholar was not to be touched.
For training in concentration the Neoplatonist philosopher, Plotinus (d. AD 270), recommended mathematics, dialectics and analytical thought. Sufis refer to the middle stages in the meditative process as fikr or devotional concentration on higher things. But in all systems it is emphasized that without concentration no progress can be made, for it is by this means alone that the mind learns to become receptive to the messages from the higher planes.
(3) Contemplation involves deep internalizing of thought. This stage has been compared to 'diving into the pool of the mind'. Here the degree of mental absorption reaches a kind of trance. All the senses are closed to distracting incoming stimuli : one's consciousness is withdrawn and the mind focused inwards. It is a receptive state and some regard it as the final stage of meditation proper. It continues to be a mental operation, but the man absorbed in contemplation is divested of the ego. In yoga this stage is known as dhyana, 'contemplation', in Pali as jhana, in Chinese ch'an, and in Japanese zen. Plato (d. 347 Bc) in his Symposium relates how Socrates once remained standing motionless, absorbed in profound meditation, for the space of /Page 239/ of St Thomas Aquinas (d. 1274) who was once so rapt in meditation on the divine mysteries that he scorched his finger without noticing it.
(4) Many exponents agree that the final stage of the meditative process takes one beyond meditation, and outside the mental plane altogether. One's consciousness is divorced from all empirical content, unmixed with sensation, pathemia or thought. It is a stage of `mindless awareness', unconnected with any direct cerebral activity. This transcendent state is known by various names. It is the samadhi, `conjoining', of yoga; the nirvana, 'extinction', of the Buddhist; the satori, 'illumination' of the zen practitioner; the unio mystica, `mystical union', of the western mystic; and the fan'a, 'annihilation', of the sufi. It has been described as the exaltation of consciousness to 'the highest degree, yet recallable to the conscious mind after the experience is over.
The neoplatonist, Iamblichus (d. AD 333), said that the power of contemplation can at times be so great that the soul leaves the body. And indeed others speak of this last stage as a movement of the soul resembling the spiritual ecstasy* achieved by prophets, sages and mystics. It is a kind of rapture, a peak experience of clear and unclouded bliss. It has been referred to as a merging with the Total, Pure, Objective or Cosmic Consciousness, perhaps representing a flicker of the consciousness of God. But many have denied this as presumptuous. The sufis speaking of the final stage in the mystic's progress, which they call hal, declare that it cannot ever come solely through man's effort, however assiduously he tries, since it is vouchsafed by God's grace. Hal, they declare, is gifted.
Certain physiological concomitants are associated with the trance state, and in recent years scientists have carried out extensive tests to measure the changes that occur in the body when a person is in a meditative trance. Hindu yogis, zen Buddhist monks, Egyptian fakirs, Voodoo practitioners, African medicine-men and Siberian shamans, have all been subjected to such tests. While the results are not conclusive certain factors do seem to be constant. For instance, it has been found that cardiac activity decreases, the heartbeat is slower than normal, blood pressure falls, the general metabolic rate is reduced. Breathing slows down, and oxygen consumption may be appreciably lower than the minimum necessary to support life. The temperature may be feverish, reaching 39°C./Page 240/
239(102°F.), but this is not always so. EEGs indicate that alpha waves (see brain waves) predominate.
Properly undertaken there would appear to be much physical and mental benefit in the complete relaxation and tranquillity that many meditative disciplines provide. The bodily energies are restored and the powers of concentration developed. But the effects of meditation go beyond body and mind, and penetrate to the deepest recesses of the human psyche. Most responsible exponents today affirm that meditative exercises should never be undertaken lightly. Buddha laid great emphasis on the need for 'right meditation'.
In the first place the purpose of meditation has to be very clearly determined. Meditating on a practical problem is actually a form of attentive concentration, and can be a useful aid to its solution. Meditating in order to understand oneself and acquire discipline and self-control can be very beneficial if carried out in the proper spirit. Sometimes extravagant promises of personal success are held out to the student as a reward for his effort. But we are warned that any meditation undertaken with the object of obtaining siddhi (Sanskrit, 'power), or gaining wealth, or injuring one's enemies, can do great harm to the practitioner.
Again, the methods of meditation are also very important. The aids adopted, the ritual paraphernalia used, can all serve as pitfalls for the beginner. Meditation on the psychic centres (chakras) can stimulate them and cause them to be needlessly activated. It has been said, 'More men and women have been driven insane through a premature awakening of the forces latent in these centres than most students realize' (Anon., 1935, p. 23). It is also undesirable to meditate on one's guru or preceptor, such as many Hindu systems advocate. Not only does this smack of idolatry, but it can be used by an unscrupulous guru to gain ascendency over a pupil in more ways than one (see expersonation).
Experts further warn that nothing should be done to precipitate the meditative state, such as quick methods of inducing xenophrenia, through drugs for example. Some occult systems employ magical designs : the mandala of the Buddhist, the eight trigrams of the I-Ching, the kabbalistic tree, the tarot trumps; and also vibratory phonemes or mantras. They may be used in order to effect changes of consciousness, and in some cases to raise thought-forms and elemental entities. These are illusory phenomena artsing from false / Page 241/ meditation, causing fantasies to emerge from the unconscious mind. They act like poisons in the spiritual system.
Again, meditation, for all the virtues claimed on its behalf, can be negative and meaningless, as many inadvertently confess when they reveal that they 'empty the mind', or 'Concentrate on nothingness'. Spiritually, the value of many forms of meditation may be regarded as negligible, and could even be retrograde. Alice Bailey says, `It is essential to realize that meditation can be very dangerous work.'
Correct meditation avoids esoteric techniques and tricks, concentration on the chakras, the repetition of meaningless syllables, ritual procedures, visualization of the guru. The purest form of meditation, it is said, can only be directed to pure ends and use pure means, and is best achieved by devotion to God. When accompanied by beneficient and positive thoughts for the welfare of others, such meditation has a healing virtue for the soul, and this indeed is what the word originally signified (from Latin, mederi, 'to heal').
Meditation that is described as 'getting close to God without humility', and that 'does not ask for guidance' (Anon., 1935, p. 7), might be regarded by many as both arrogant and foolhardy. The personal effort in meditation, without divine grace, can lead one to the shoals. The practitioner can soon be led to believe that he is divine, a self-delusion that is fostered by the autohypnotic repetition of mantras like Aham Brahmasmi (I am God). This leads to antinomianism, the meditator ending up by believing that he is absolved from the requirements of the ethical, moral or religious law, and above spiritual judgment.
Because of the traps that beset the path, theistic religions such as Judaism, Christianity and Islam declare that no method of inner development should be divorced from religion, nor should any method of development be undertaken in a spirit of self-sufficiency. In essence, meditation is humble supplication to God, as a creature to his Creator, in the form of prayer.
MEMORY
The power of retaining, recalling and recognizing previous experience. In its most developed and significant meaning memory is a faculty of the higher intellect. Memory serves as a link with our own past and constitutes an all-important ingredient in the integrative process of our personalities and the recognition of ourselves as individuals. Memory alone forms the link in the continuous flux of perception, and is, according to David Hume (d. 1776), 'the source of personal identity'.
In amnesia or loss of memory, frequently due to injury or shock, one is unable to remember the past, either totally, which is very rare, or partially, where one cannot recall a particular place, time or experience related to a particular set of circumstances usually of
a traumatic character. In the form of amnesia known as fugue, `flight', the victim forgets his name, address, occupation and his personal identity. He has no knowledge of his past, and as a rule disappears from his usual haunts. In other respects he is perfectly normal and his intellect remains unimpaired./Page 243/What we consciously remember is obviously only a small part of our total memory, even if we cannot recall it to conscious awareness. We do not remember most of our dreams, nor do we remember countless incidents that have happened to us a few years, a few months, even a few days ago. We do not remember large segments of our youthful experiences, nor much of our childhood, and nothing of our early infancy and prenatality. Speaking of the strange amnesia that blots out much of the first six or eight years of our life, Sigmund Freud said that 'it serves for each individual as a prehistory'.
It has been estimated that in the course of his seventy years of life, an individual, only when awake, receives and perhaps stores fifty trillion bits of information. (A 'bit', short for 'binary digit', is the smallest unit of information for a storage device, like a computer.) Yet no single event in our lives, however insignificant, is ever forgotten, as is suggested by the phenomenon of cryptomnesia (Gk. kryptos, 'hidden', mneme, 'memory), in which something previously experienced but forgotten is recalled, and now appears as a new experience without awareness of its original source. Religious exaltation, pre-mortem delirium, senility, insanity, high fever, disease, drug states, electrical stimulation of the brain, psychoanalysis, hypnotic trance and other xenophrenic states are among the conditions that often lead to the recall of memories long forgotten and apparently beyond recollection.
How far the human memory can go is still not clear, but age-regression suggests that there is virtually no limit to recall. In ageregressi9p one recollects very early periods of one's life, sometimes even the birth trauma. This is important for the psychologist who looks to the period of these early years for certain suppressed memories, which might be the genesis of later mental ills and aberrations. But the mere recollection is not enough; the patient must undergo the process of abreaction, during which he re-lives the pathogenic (disease-producing) memories in the same emotional state he originally experienced them and thus works off the unconscious repressed emotions associated with them. Abreaction therapy is akin to the pathesis or 'suffered' experience that the candidate had to undergo in the ancient Greek mysteries; or to what Aristotle (d. 322 Bc) called catharsis, 'purging', which he said was the function of great 'dramatic tragedy : to relieve the mind of pent-up emotion
Page 244
Experts contend that even prenatal events are recorded in the child's memory. The French psychical researcher, Col. Eugene Albert de Rochas (d. 1914), claimed that under hypnosis his subjects went right back through all the phases of their lives to infancy, birth and the foetal period. Indeed some people have claimed to remember their life as an embryo, and in a few instances have allegedly re-lived the sensations caused by sexual intercourse between parents during gestation. An even more fantastic claim was made by a woman who said that she had a consciousness of herself as a tiny speck at the very moment of her conception, that is, when sperm met ovum in her mother's womb. Finally, according to reincamationists, there is the age-regression that reaches back beyond prenatality to the memory of one's previous incarnation on earth.
Certain scientists believe that our memory is 'material' and registered entirely in the brain. An engrain is the hypothetical inscription or impress supposedly left on the living cerebral tissue as a result of any excitation caused by the stimuli of, experience. Millions of such engrams or neurograms are believed to combine to make up the fabric of physiological memory. Whether engrams are transmitted to progeny and inherited by them like other genetic characteristics is still debated.
The ancient Greeks thought of the mind as a tablet upon which one's personal experiences were inscribed 'like seal on wax'. Rene Descartes (d. 1650) said that every experience caused the 'animal spirits' to leave a trace on the pores of the brain, and the process of recall was one whereby the pineal gland impelled the animal spirits to seek out the earlier traces in the brain-pores. The English philosopher, John Locke (d. 1704), picking up the Greek idea, compared the mind of a child at birth to a tabula rasa, a 'clean slate', upon which the incoming impressions were written as they were received through the senses. Thomas Huxley (d. 1895) maintained that every sensory impression left behind a record in the molecular 'structure of the brain, in what he called the ideageneous molecules, which formed the basis of memory.
Russian scientists have been particularly interested in establishing a connection between the physical organism and the personality, or the brain-consciousness and character, without any non-material or 'spiritual' factor intervening. After Lenin's death in 1924 Russian surgeons spent two and a half years examining his brain in detail.
Books
Anonymous, Concentration and Meditation. A Manual of Mind Development, Buddhist Lodge, London, 1935.
Bailey, Alice, Letters on Occult Meditation, Lucis Publishing, New York, 1922.
Bailey, Alice, From Intellect to Intuition, Lucis Publishing, New York
/Page 242,/
Benson, H. and Wallace, R. K., 'The Physiology of Meditation', American Journal of Physiology, 1971, pp. 221, 795.
Eastcott, Michal, J., The Silent Path: An Introduction to Meditation, Rider, London, 1969.
Hare, W. L., Systems of Meditation in Religion, Philip Allan, London, 1937.
Hittleman, R., Guide to Yoga Meditation, Bantam Books, New York, 1969.
Jacobson, Edmund, Progressive Relaxation, University of Chicago Press, 1929.
Lounsbery, G. C., Buddhist Meditation, Kegan Paul, London, 1935. Metzner, Ralph, Maps of Consciousness, Macmillan, New York, 1971. Miles, E., The Power of Concentration, Methuen, London, 1919. Naranjo, C. and Ornstein, R. E., On the Psychology of Meditation,
Viking, New York, 1971.
Rawcliffe, D. H., The Psychology of the Occult, Rockliff, London, 1952.
White, J. (ed.), The Highest State of Consciousness, Doubleday, New York, 1972.
Wood, Ernest, Concentration, Theosophical Publishing House, Adyar, 1950.
4 |
A+G+T+C |
31 |
13 |
4 |
7 |
LETTERS |
99 |
27 |
9 |
11 |
A+G+T+C+LETTERS |
130 |
40 |
13 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
DNA |
19 |
10 |
1 |
3 |
RNA |
33 |
15 |
6 |
6 |
D+N+A+R+N+A |
52 |
25 |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
DOUBLE |
59 |
23 |
5 |
5 |
HELIX |
58 |
31 |
4 |
11 |
DOUBLE HELIX |
117 |
54 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
MAGNETIC |
72 |
36 |
9 |
5 |
FIELD |
36 |
27 |
9 |
13 |
MAGNETIC+FIELD |
108 |
63 |
18 |
- |
- |
1+0+8 |
6+3 |
1+8 |
13 |
MAGNETIC+FIELD |
9 |
9 |
9 |
7 |
SPHERES |
90 |
36 |
9 |
4 |
ORBS |
54 |
18 |
9 |
7 |
BUBBLES |
63 |
18 |
9 |
5 |
ROUND |
72 |
27 |
9 |
4 |
BALL |
27 |
9 |
9 |
4 |
HOOP |
54 |
27 |
9 |
3 |
SUN |
54 |
9 |
9 |
7 |
JUPITER |
99 |
36 |
9 |
5 |
WORLD |
72 |
27 |
9 |
11 |
SAGITTARIUS |
144 |
45 |
9 |
4 |
GAIA |
18 |
9 |
9 |
3 |
TAO |
36 |
9 |
9 |
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
IVE |
36 |
18 |
9 |
3 |
EGO |
27 |
18 |
9 |
10 |
CONSCIENCE |
90 |
45 |
9 |
6 |
DIVINE |
63 |
36 |
9 |
7 |
THOUGHT |
99 |
36 |
9 |
6 |
SORROW |
108 |
36 |
9 |
4 |
LOVE |
54 |
18 |
9 |
9 |
FIFTYFOUR |
126 |
54 |
9 |
10 |
THIRTYFOUR |
160 |
61 |
7 |
3 |
YOU |
61 |
16 |
7 |
4 |
YOUR |
79 |
25 |
7 |
7 |
LETTERS |
99 |
27 |
9 |
8 |
LANGUAGE |
68 |
32 |
5 |
9 |
LANGUAGES |
87 |
33 |
6 |
9 |
NUMBERING |
103 |
49 |
4 |
6 |
NUMBER |
73 |
28 |
1 |
7 |
NUMBERS |
92 |
29 |
2 |
10 |
NUMBERLESS |
128 |
38 |
2 |
8 |
NUMERALS |
84 |
30 |
3 |
5 |
HIERO |
55 |
37 |
1 |
7 |
GLYPHIC |
80 |
44 |
8 |
12 |
HIEROGLYPHIC |
135 |
81 |
9 |
8 |
GLYPHICS |
99 |
45 |
9 |
5 |
GLYPH |
68 |
32 |
5 |
6 |
GLYPHS |
87 |
33 |
6 |
10 |
HIEROGLYPH |
123 |
69 |
6 |
11 |
HIEROGLYPHS |
142 |
70 |
7 |
13 |
HIEROGLYPHICS |
154 |
82 |
1 |
6 |
SYMBOL |
86 |
23 |
5 |
7 |
SYMBOLS |
105 |
24 |
6 |
4 |
ZERO |
64 |
28 |
1 |
3 |
ONE |
34 |
16 |
7 |
8 |
ALPHABET |
65 |
29 |
2 |
9 |
ALPHABETS |
84 |
30 |
3 |
8 |
INSTINCT |
108 |
36 |
9 |
9 |
INSTINCTS |
127 |
37 |
1 |
11 |
INSTINCTUAL |
142 |
43 |
7 |
7 |
NATURAL |
87 |
24 |
6 |
6 |
NATURE |
79 |
25 |
7 |
7 |
NATURES |
98 |
26 |
8 |
Nucleotides form the basic structural unit of nucleic acids such as DNA.
A nucleotide is the basic building block of nucleic acids (RNA and DNA). A nucleotide consists of a sugar molecule (either ribose in RNA or deoxyribose in DNA) attached to a phosphate group and a nitrogen-containing base. The bases used in DNA are adenine (A), cytosine (C), guanine (G) and thymine (T).
Nucleotide - National Human Genome Research Institute
National Human Genome Research Institute (NHGRI) (.gov)
https://www.genome.gov › genetics-glossary › Nucleotide
AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA
AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA
AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA
9 |
UNIVERSAL |
121 |
40 |
4 |
8 |
LANGUAGE |
68 |
32 |
5 |
17 |
First Total |
189 |
72 |
9 |
1+7 |
Add to Reduce |
1+8+9 |
7+2 |
- |
8 |
Second Total |
18 |
9 |
9 |
- |
Reduce to Deduce |
1+8 |
- |
- |
8 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
GENETIC |
63 |
36 |
9 |
4 |
CODE |
27 |
18 |
9 |
11 |
Add to Reduce |
90 |
54 |
18 |
1+1 |
Reduce to Deduce |
9+0 |
5+4 |
1+8 |
2 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
DOUBLE |
59 |
23 |
5 |
5 |
HELIX |
58 |
31 |
4 |
11 |
Add to Reduce |
117 |
54 |
9 |
1+1 |
Reduce to Deduce |
1+1+7 |
5+4 |
- |
2 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
MAGNETIC |
72 |
36 |
9 |
5 |
FIELD |
36 |
27 |
9 |
13 |
Add to Reduce |
108 |
63 |
18 |
1+3 |
Reduce to Deduce |
1+0+8 |
6+3 |
1+8 |
4 |
Essence of Number |
9 |
9 |
9 |
ORACLE POSTS
Somebody tell me more about this site
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explorer
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Somebody tell me more about this site
Post by explorer » 10 Dec 2020 04:52
An interesting mix of numerology, gnosis, Christianity, Hinduism... A search for truth? A religion? Pretty mysterious stuff to say the least. What does it mean? Id appreciate a somewhat clear explanation.
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packajos000
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Re: Somebody tell me more about this site
Post by packajos000 » 11 Dec 2020 19:40
Tales Of Rabbits.
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3301313.1411033
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Re: Somebody tell me more about this site
Post by 3301313.1411033 » 21 Dec 2020 16:46
explorer wrote: ?10 Dec 2020 04:52
An interesting mix of numerology, gnosis, Christianity, Hinduism... A search for truth? A religion? Pretty mysterious stuff to say the least. What does it mean? Id appreciate a somewhat clear explanation.
when you have an illumination then you understand every single word of all sites and all numbers, you will understand
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3301313.1411033
Posts: 123
Joined: 21 Dec 2020 06:07
Contact: Contact 3301313.1411033
Re: Somebody tell me more about this site
Post by 3301313.1411033 » 21 Dec 2020 16:49
explorer wrote: ?10 Dec 2020 04:52
An interesting mix of numerology, gnosis, Christianity, Hinduism... A search for truth? A religion? Pretty mysterious stuff to say the least. What does it mean? Id appreciate a somewhat clear explanation.
bettter words for it, drop out the pyramid, not symbolic, drop out the pyramid system and look it from outside, from a distance where somebody cant ells
you play god, better say you are
cause you know why you live, you know who you are, you know why.
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Auriorusiana
Posts: 803
Joined: 28 Nov 2020 00:28
Contact: Contact Auriorusiana
Re: Somebody tell me more about this site
Post by Auriorusiana » 22 Dec 2020 00:53
illumination varies in degrees, shades, colors, and gradients, yet it stems from one all and will return to the same conclusion.
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Coddiwomple
Posts: 18
Joined: 02 Nov 2020 14:48
Contact: Contact Coddiwomple
Re: Somebody tell me more about this site
Post by Coddiwomple » 23 Dec 2020 15:54
It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.
Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality.
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3301313.1411033
Posts: 123
Joined: 21 Dec 2020 06:07
Contact: Contact 3301313.1411033
Re: Somebody tell me more about this site
Post by 3301313.1411033 » 24 Dec 2020 02:33
Coddiwomple wrote: ?23 Dec 2020 15:54
It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.
Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality.
"It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.
Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality." -CoddyWomple
possibly the greatest written statement of mankind.
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3301313.1411033
Posts: 123
Joined: 21 Dec 2020 06:07
Contact: Contact 3301313.1411033
Re: Somebody tell me more about this site
Post by 3301313.1411033 » 24 Dec 2020 02:36
3301313.1411033 wrote: ?24 Dec 2020 02:33
Coddiwomple wrote: ?23 Dec 2020 15:54
It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.
Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality.
"It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.
Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality." -CoddiWomple
possibly the greatest written statement of mankind.
Top
Redbeck
Posts: 1708
Joined: 19 Dec 2010 15:42
Location: The Rookery, 3rd Horse Chestnut along, St Johns, Britain. Teacher leave our nuts alone!
Contact: Contact Redbeck
Re: Somebody tell me more about this site
Post by Redbeck » 27 Apr 2021 19:40
Packajos000 is correct there is a tale of White Rabbits within, well remarked I must say. Charles Lutwidge Dodgson (27th January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, he was a lover of Laudanum and we are most fond of his work. Victorian Pharmacies were not stingy. And Coddiwomple such an eloquent interpretation and accolade, thank you, we fend off the grubby fingers of commercial gain intruding into the work night and day, they see knowledge as a way to serve the evil ways of capitalism, but we are on the front foot and the frontline of defiance toward this pernicious system. There are changes we must make to survive which is also deep in the essence of this work fight numbers associated with greed with numbers for good and there is a chance.
Redbeck
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Auriorusiana
Posts: 803
Joined: 28 Nov 2020 00:28
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Re: Somebody tell me more about this site
Post by Auriorusiana » 03 May 2021 07:49
its beautiful therefore equally horrendous and therefore good this one thread has for understanding
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Auriorusiana
Posts: 803
Joined: 28 Nov 2020 00:28
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Re: Somebody tell me more about this site
Post by Auriorusiana » 03 May 2021 07:50
so odd that we fuel our opposition of ignorance, though we have perpetuated the tricks intentionally or not
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User avatarBeware
Posts: 159
Joined: 09 Aug 2020 17:32
Contact: Contact Beware
Re: Somebody tell me more about this site
Post by Beware » 12 May 2021 02:22
This site is for those that seek the truth, fail to comprehend it, beat it like a dead horse, and then regurgitate that same process all over again.
The truth is simple everybody: You have no idea what's going on or what to do about it. I LOVE THE LOST SOULS.
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Redbeck
Posts: 1708
Joined: 19 Dec 2010 15:42
Location: The Rookery, 3rd Horse Chestnut along, St Johns, Britain. Teacher leave our nuts alone!
Contact: Contact Redbeck
Re: Somebody tell me more about this site
Post by Redbeck » 12 May 2021 17:45
The structural truth of life resides in every meadow, forest, swamp, salt flat and sea and every associated phenomenon and activity from icebergs, to earthquakes, tsunamis, waterspouts, onward to reproduction, medicines and death.
We must work to sustain this wealth of natural world life in order to save the integral structure and truth of humanity they are inextricably linked. Truth already lies within human mind, heart and soul, we are born with truth, but we have to battle to retain that truth concept before it becomes a tainted tawdry commodity with which so many humankind become smugly economical. Or teach our children, learn another way to remain honourable through indisputable facts. Language frequently masks truth altogether or cunningly diverts its direction beyond the swing of a moral compass. Yet break the constituents of language down into number and the truth is not lost behind an artfully decorative screen.
Above all, for us to know Truth it is essential that we reconnect with the natural world, to begin the sustenance or be damned, our convergent technology supported and pampered lives become worthless.
Image
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Redbeck
Posts: 1708
Joined: 19 Dec 2010 15:42
Location: The Rookery, 3rd Horse Chestnut along, St Johns, Britain. Teacher leave our nuts alone!
Contact: Contact Redbeck
Re: Somebody tell me more about this site - REAL REALITY REVEALED
Post by Redbeck » 01 Jun 2021 23:27
MORE SIGNPOSTS FROM DAVID DENISON, A RICH VEIN THAT IS WELL WORTH FOLLOWING AND DIGGING DEEPER, SO MUCH TO LEARN SO LITTLE TIME, MAKE HASTE FOR THE CLOCK IS TICKING MY FRIENDS. Redbeck
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THE
MAGICALALPHABET
.........
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THE RAINBOW LIGHT |
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RAINBOW |
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LIGHT |
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THE NAMES OF OSIRIS
THE NAMES OF OSIRIS IN EVERY SHRINE WHEREIN HE DWELLETH
1. ASAR UN-NEFER
2. ASAR ANKHTI
3. ASAR NEB-ANKH
4. ASAR NEB-ER-TCHER
5. ASAR KHENTI
6. ASAR SAH
7. ASAR SAA
8. ASAR KHENTI-PERU
9. ASAR EM RESENT
10. ASAR EM MEHENET
11. ASAR NUB-HEH
12. ASAR BATI ERPIT
13. ASAR PTAH-NEB-ANKH
14. ASAR LHENTI RE-ARAU
15. ASAR HER-AB SEMT
16. ASAR EM ATI {ANETCH}
17. ASAR EM SEHET
18. ASAR EM NETCHEFET
19. ASAR EM RESU
20. ASAR EM PE
21. ASAR EM NETERU
22. ASAR EM SAU-KHERI
23. ASAR EM BAKET
24. ASAR EM REHENET
25. ASAR EM SUNNU
25. ASAR SEKRI EM PET-SHE
26. ASAR EM APER
27. ASAR QEFTENNU
28. ASAR SEKRI EM PET-SHE
29. ASAR KHENTI NUT-F
30. ASAR EM PESEK-RE
31. ASAR EM-AST-F-AMU-TA-MEH
32. ASAR EM PET
33. ASAR EM-AST-F-AMU-RE-STAU
34. ASAR NETCHESTI
35. ASAR SMAM-UR
36. ASAR SEKRI
37. ASAR HEQ-TCHETTA
38. ASAR TUA
39. ASAR EM ATER
40. ASAR EM SEK
41. ASAR NEB-TCHETTA
42. ASAR ATHI
43. ASAR TAITI
44. ASAR EM RE-STAU
45. ASAR HER-SHAI-F
46. ASAR KHENTI-SEH-HEMT
47. ASAR EM TAU-ENENET
48. ASAR EM NETEBIT
49. ASAR EM SATI
50. ASAR EM BETESHU
51. ASAR EM TEPU
52. ASAR EM SAU-HERI
53. ASAR EM NEPERT
54. ASAR EM SAU-HERI
55. ASAR EM HENKET
56. ASAR EM TA-SEKRI
57. ASAR EM SHAU
58. ASAR EM FAT-HERU
59. ASAR EM MATTI
60. ASAR EM HENA
NAMES OF OSIRIS IN EVERY SHRINE IN WHICH HE DWELLETH
{SAITE RECENSION, ABOUT B.C.300}
1. ASAR UN-NEFER
2. ASAR ANKHI
3. ASAR NEB ANKH
4. ASAR NEB-ER-TCHER
5. ASAR AP-.......TAUI
6. ASAR KHENTET UN
7. ASAR KHENTET NEPRA
8. ASAR SAH
9. ASAR SEPS-BIU-ANNU
10. ASAR KHENTI-THENENET
11. ASAR EM RESENET
12. ASAR EM MEHENET
13. ASAR NEB HEH
14. ASAR SA ERPETI
15. ASAR PTAH NEB ANKH
16. ASAR KHENT RE-STAU
17. ASAR TAIU HER-AB TATTU
18. ASAR HER-AB SET
19. ASAR BA SHEPS EM TATTU
20. ASAR BA ATEP
21. ASAR EM HEST,OR, NETER-SEHT
22. ASAR NEB TA ANKHTET
23. ASAR EM SAU
24. ASAR EM NETCHET
25. ASAR EM RESU, OR, EM TCHATCHAT
26. ASAR EM PE
27. ASAR EM TEPT
28. ASAR EM NETRA
29. ASAR EM SAU KHERT
30. ASAR EM SAU HERT
31. ASAR EM AN-RUT-F
32. ASAR EM BAKUI
33. ASAR EM SUNNU
34. ASAR EM RENEN
35. ASAR EM APER
36. ASAR EM QEFENNU
37. ASAR EM SEKRI
38. A SAR EM PETET
39. ASAR EM HET-F EM RE-STAU
40. ASAR EM NIF-UR
41. ASAR EM NETIT
42. ASAR KHENTI NUT-F
43. ASAR HENTI
44. ASAR EM PEKES
45. ASAR EM HET-F-AM TA RESET.
46. ASAR EM HET-F AM TA MEHT
47. ASAR EM PET
48. ASAR EM TA
49. ASAR EM NEST
50. ASAR EM ATEF-UR
51. ASAR SEKER EM SHETAT
52. ASAR HEQ TCHETTA EM ANNU
53. ASAR UTET
54. ASAR EM SEKET
55. ASAR EM RERTU-NIFU
56. ASAR NEB-TCHETTA
57. ASAR NEB-HEH
58. ASAR EM TESHER
59. ASAR EM SESHET
60. ASAR EM AAT-URT
63. ASAR EM APERT
64. ASAR EM SHENNU
65. ASAR EM HEKENNUT, OR HESERTET
66. ASAR EM SEKER
67. ASAR EM SHAU
68. ASAR FA-HERU
69. ASAR EM UU-PEK
70. ASAR EM MAATI
71. ASAR EM MENA
72. ASAR BAIU TET-F
73. ASAR NEB TAIU SUTEN NETERU
74. ASAR EM BENER
75. ASAR EM TAI
76. ASAR HER SHAI-F
77. ASAR EM BENER
78. ASAR EM SA
79. ASAR EM SATI
80. ASAR EM ASHER
81. ASAR EM TAUI NEBU
82. ASAR KHENT SHET AA-PERTI
83. ASAR EM HET BENBENET
84. ASAR EM ANNU
85. ASAR AAU AM ANNU
86. ASA EM HEMAK
87. ASAR EM AKESH
88. ASAR EM PE NU
89. ASAR EM HET-AAT
90. ASAR NEB-ANKH EM ABTU
91. ASAR NEB-TATTU
92. ASAR KHENT KA-AST
93. ASAR ATHI HER-AB ABTU
94. ASAR ATHI HER-AB SHETAT
95. ASAR EM ANKH EM PTAH-HET-KAT
96. ASAR NEB PEHTET PETPET SABA
97. ASAR BA HER-AB QEMT
98. ASAR AHETI
99. ASAR SEH
100. ASAR HERU-KHUTI
101. TEM KA KHA PAUTNETERU AAT
102. AP-UAT REST SEKEM TAUI
103. AP-UAT MEHT SEKEM PET
104. PTAH TETTET SHEPS AST RA
105. UA SEQEB EM HET-BENBEN
106. SEB ERPAT NETERU
107. HERU-UR
108. HERU-KHENTET-AN-MAATI
109. HERU-SA-AST
110. AMSU {MIN}-SUTEN-HERU-NEKHT
111. AN-MUT-F-AB-PERUI-HETEP
112. KHNEMU-HERU-HETEP
113. HERU-SEKHAI
114. HERU-KHENT-KHATTHI
115. HERU-TEHUTI
116. AN-HER
117. ANPU-KHENT-NETER-SEH
118. NUT
119. AST NETERT EM REN-S NEBU
120. RE-SEKHAIT
121. SHENTHIT
122. HEQTIT
123. NESHNET NEB TCHETTA
124. NET
125. SERQET
126. MAAT
127. AHIT
128. TA FTU MESKHENU AMU ABTU
129. MESKHEN AAT
130. MESKHEN SEQEBET
131. MESKHEN MENT {?}
132. MESKHEN NEFERT
133. AMSETH
134. HAPI
135. TUA-MUT-F
136. QEBH-SENNU-F
137. AARAT HER-AB NETER HET
138. NETERU SEMU TUAT
139. NETERU QERTI
140. ATURTI NETERIT AMU ABTU
141. ATURTI REST MEHT
142. AMKHIU NU ASAR
143. ASAR KHENT AMENTET
144. ASAR EM AST-F NEBU
145. ASAR EM AST-F EM TA REST
146. ASAR EM AHAT-F EM TA MEHT
147. ASAR EM AST-F NEB MERI KA-F AM
148. ASAR EM SEH-F NEBU
149. ASAR EM QEMA-F NEBU
150. ASAR EM REN-F NEBU
151. ASAR EM KER-F NEB
152. ASAR EM KHAU-F NEBU
153. ASAR EM KHAKERU-F NEBU
154. ASAR EM AHAT-F NEBU
155. HERU-NETCH-TEF-F EM REN-F NEB
156. ANPU KHENT NETER SEH EM REN-F NEB
157. ANPU AM UHET
158. NETERU ENT NETER-KHERT ENT AMU TUAT
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144 |
ASAR EM AST-F NEBU |
145 |
ASAR EM AST-F EM TA REST |
146 |
ASAR EM AHAT-F EM TA MEHT |
147 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
ASAR EM SEH-F NEBU |
149 |
ASAR EM QEMA-F NEBU |
150 |
ASAR EM REN-F NEBU |
151 |
ASAR EM KER-F NEB |
152 |
ASAR EM KHAU-F NEBU |
144 |
|
= |
1 |
- |
14 |
ASAR EM AST-F NEBU |
145 |
|
= |
1 |
- |
18 |
ASAR EM AST-F EM TA REST |
146 |
|
= |
1 |
- |
19 |
ASAR EM AHAT-F EM TA MEHT |
147 |
|
= |
1 |
- |
22 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
|
= |
1 |
- |
14 |
ASAR EM SEH-F NEBU |
149 |
|
= |
1 |
- |
15 |
ASAR EM QEMA-F NEBU |
150 |
|
= |
1 |
- |
14 |
ASAR EM REN-F NEBU |
151 |
|
= |
1 |
- |
13 |
ASAR EM KER-F NEB |
152 |
|
= |
1 |
- |
15 |
ASAR EM KHAU-F NEBU |
144 |
|
= |
1 |
- |
14 |
ASAR EM AST-F NEBU |
145 |
|
= |
1 |
- |
18 |
ASAR EM AST-F EM TA REST |
146 |
|
= |
1 |
- |
19 |
ASAR EM AHAT-F EM TA MEHT |
147 |
|
= |
1 |
- |
22 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
|
= |
1 |
- |
14 |
ASAR EM SEH-F NEBU |
149 |
|
= |
1 |
- |
15 |
ASAR EM QEMA-F NEBU |
150 |
|
= |
1 |
- |
14 |
ASAR EM REN-F NEBU |
151 |
|
= |
1 |
- |
13 |
ASAR EM KER-F NEB |
152 |
|
= |
1 |
- |
15 |
ASAR EM KHAU-F NEBU |
144 |
- |
14 |
ASAR EM AST-F NEBU |
145 |
- |
18 |
ASAR EM AST-F EM TA REST |
146 |
- |
19 |
ASAR EM AHAT-F EM TA MEHT |
147 |
- |
22 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
- |
14 |
ASAR EM SEH-F NEBU |
149 |
- |
15 |
ASAR EM QEMA-F NEBU |
150 |
- |
14 |
ASAR EM REN-F NEBU |
151 |
- |
13 |
ASAR EM KER-F NEB |
152 |
- |
15 |
ASAR EM KHAU-F NEBU |
- |
- |
A |
S |
A |
R |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
19 |
1 |
18 |
+ |
= |
39 |
3+9 |
= |
12 |
1+2 |
3 |
- |
- |
|
1+9 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
1 |
|
1 |
9 |
+ |
= |
21 |
2+1 |
= |
3 |
- |
|
|
|
- |
1+0 |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
- |
- |
A |
S |
A |
R |
- |
- |
- |
- |
- |
- |
- |
- |
144 |
ASAR EM AST-F NEBU |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
145 |
ASAR EM AST-F EM TA REST |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
146 |
ASAR EM AHAT-F EM TA MEHT |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
147 |
ASAR EM AST-F NEB MERI KA-F AM |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
148 |
ASAR EM SEH-F NEBU |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
149 |
ASAR EM QEMA-F NEBU |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
150 |
ASAR EM REN-F NEBU |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
151 |
ASAR EM KER-F NEB |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
152 |
ASAR EM KHAU-F NEBU |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
- |
- |
A |
S |
A |
R |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
19 |
1 |
18 |
+ |
= |
39 |
3+9 |
= |
12 |
1+2 |
3 |
- |
- |
|
1+9 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
1 |
|
1 |
9 |
+ |
= |
21 |
2+1 |
= |
3 |
- |
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|
|
- |
1+0 |
- |
- |
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|
- |
- |
- |
- |
- |
- |
- |
- |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
- |
- |
A |
S |
A |
R |
- |
- |
- |
- |
- |
- |
- |
- |
144 |
- |
14 |
ASAR EM AST-F NEBU |
145 |
- |
18 |
ASAR EM AST-F EM TA REST |
146 |
- |
19 |
ASAR EM AHAT-F EM TA MEHT |
147 |
|
22 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
|
14 |
ASAR EM SEH-F NEBU |
149 |
|
15 |
ASAR EM QEMA-F NEBU |
150 |
|
14 |
ASAR EM REN-F NEBU |
151 |
|
13 |
ASAR EM KER-F NEB |
152 |
|
15 |
ASAR EM KHAU-F NEBU |
- |
- |
R |
E |
M |
- |
- |
- |
- |
- |
- |
- |
18 |
5 |
13 |
+ |
= |
9 |
- |
9 |
- |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
|
- |
R |
E |
M |
- |
- |
- |
- |
- |
144 |
ASAR EM AST-F NEBU |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
145 |
ASAR EM AST-F EM TA REST |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
146 |
ASAR EM AHAT-F EM TA MEHT |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
147 |
ASAR EM AST-F NEB MERI KA-F AM |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
148 |
ASAR EM SEH-F NEBU |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
149 |
ASAR EM QEMA-F NEBU |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
150 |
ASAR EM REN-F NEBU |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
151 |
ASAR EM KER-F NEB |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
152 |
ASAR EM KHAU-F NEBU |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
- |
- |
R |
E |
M |
- |
- |
- |
- |
- |
- |
- |
18 |
5 |
13 |
+ |
= |
9 |
- |
9 |
- |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
- |
- |
R |
E |
M |
- |
- |
- |
- |
- |
144 |
ASAR EM AST-F NEBU |
145 |
ASAR EM AST-F EM TA REST |
146 |
ASAR EM AHAT-F EM TA MEHT |
147 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
ASAR EM SEH-F NEBU |
149 |
ASAR EM QEMA-F NEBU |
150 |
ASAR EM REN-F NEBU |
151 |
ASAR EM KER-F NEB |
152 |
ASAR EM KHAU-F NEBU |
I
THAT
AM
DRAW THE GREAT BOW HERE THOU ART O NAMUH DRAW THE GREAT BOW
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MIN DOTH DREAM WHAT DOTH MIN MEAN
ANCIENT EGYPT - THE LIGHT OF THE WORLD
THE LIGHT IS RISING NOW RISING IS THE LIGHT
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THE BOOK OF THE DEAD
E.A. Wallis Budge
First Published
1899
THE ADDRESSES OF HORUS
[Chap. clxxiii.
CHAPTER
CLXXIII.
[From the Papyrus of Nebseni (Brit. Mus. Nc. 9900, sheets 9 and 10).]
Vignette: "Osiris, the great god, the lord of Abtu, the lord of transformations, the prince of eternity," seated in a shrine; to the left of the text the deceased stands, with hands raised in adoration, before the god, and the ground between them is covered with the bodies of birds and beasts which have been
prepared for sacrifice (see pp. 390, 391).
Page 589 Chap. clxxiii. IO]
THE ADDRESSES OF HORUS
Text: THE SPEECHES OF HORUS TO HIS' DIVINE FATHER OSIRIS WHEN HE ENTERETH IN TO SEE HIM, AND .WHEN HE COMETH FORTH FROM NEAR THE GREAT ABT CHAMBER TO LOOK UPON RA AS UN-NEFER, THE LORD OF TA-TCHESERT; THEN DOTH EACH EMBRACE THE OTHER AT THB PLEASURE OF HIS KHU, THERE IN THE UNDERWORLD. (1) A Hymn of Praise to Osiris, governor of those in the underworld, the great god, the lord of Abydos, the king of eternity, the prince of everlastingness, the holy god in Re-stau, (2) by the scribe Nebseni, who saith :- (3)
"I ascribe praise unto thee, O lord of the gods, thou "God One, who livest (4) upon right and truth, behold, "I thy son Horus come unto thee; (5) I have avenged "thee, and I have brought to thee maat-even to the "place where is. the company of thy gods. (6) Grant "thou that I may have my being among those who are "in thy following, for I have overthrown all thy (7) "foes, and I have stablisherl all those who are of thy "substance upon the earth for ever and ever,"
[Here follow forty declarations, each of which is preceded by the words "Hail, Osiris, I am thy " son." ]
(8).. "I have come, and I have avenged [thee, O my"father Osiris]. .
(9).. "I have come, and I have overthrown for thee "thine enemies.
(10) "I have come, and I have done away with every "evil thing which belongeth unto thee.Page 590 [Chap. clxxiii.33
(11) "I have come, and I have slain for thee him that " attacked thee. .
(12) "I have come, and I have sent forth mine arm "against those who were hostile towards thee.
(13) "I have come, and I have brought unto thee "the fiends of Set with their fetters upon them.
(14) "I have come, and I have brought unto thee "the land of the South, and I have united unto thee " the land of the North.
(15) "I have come, and I have stablished for thee " divine offerings from the South and from the North.
(16) "I have come, and I have ploughed 1 for thee "the fields.
(17) "I have come, and I have filled for thee the"canals with water.
(18) "I have come, and I have hoed up for thee the "ground.
(19) "I have come, and I have built cisterns for thee.
(20) "I have come, and I have gone round about the "Boil for thee.
(21) "I have come, and I have made sacrificial "victims of those who were hostile to thee.Page 591 Chap. clxxiii. 32]
(22) "I have come, and I have made sacrifices unto "thee of thine animals and victims for slaughter.
(23) "I have come, and I have supplied [thee] with " food in abundance [of the creatures which are upon " earth l
(24) "I have come, and I have brought unto thee " . . . . . .
(25) "I have come, and I have slain for thee " . . . . . . . .
(26) "I have come, and I have smitten for thee"emasculated beasts.
(27) "I have come, and I have netted for thee birds "and feathered fowl.
(28) "I have come, and I have taken captive for "thee thine enemies in their chains.
(29) "I have come, and I have fettered for thee thine "enemies with fetters.
(30) "I have come, and I have brought for thee cool "water from Abu (Elephantine), wherewith thou "mayest refresh thine heart.
(31) "I have come, and I have brought unto thee " herbs of every kind.
(32) "I have come, and I have stablished for thee "those who are of thy substance daily.Page 592 [Chap. clxxiii. 33(33) "I have (33) "I have come, and I have made thy cakes in "the city of Pe of the red barley.
(34) "I nave come, and I have made thy ale in the "city of Tepu of the white grain.
(35) "I have come, and I have ploughed for thee "wheat and barley in Sekhet-Aaru.
(36) "I have come, and I have reaped it for thee "therein.
(37) "I have come, and I have glorified thee.
(38) "I have come, and I have given [to thee] thy "souls.
(39) "I have come, and I have given [to thee] thy "power.
(40) "I have come, and I have given [to thee thy]." . . . . .
(41) "I have come, and I have given [to thee thy] " . . . . .
(42) "I have come, and I have given [to thee] thy "terror.
(43) "I have come, and I have gIven [to thee] thy "victory.
(44) "I have come, and I have given to thee thine "eyes, [which are] the plumes on thy head.
(45) "I have'come, and I have give)l [to thee] Isis "and Nephthys that they may stablish thee.
(46) "I have come, and I have filled for thee the "Eye of Horus [with] oil (or unguent).
(47) "I have come, and I have brought?nto thee the "Eye of Horus, whereby thy face shall be destroyed."
Page 590 Note 1 The text actually has, I have overthrown."
1 |
I |
9 |
9 |
9 |
4 |
HAVE |
36 |
18 |
9 |
4 |
COME |
36 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
H+A |
9 |
9 |
9 |
2 |
V+E |
27 |
9 |
9 |
2 |
CO |
18 |
9 |
9 |
2 |
M+E |
18 |
9 |
9 |
5 |
HORUS |
81 |
36 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
8 |
1 |
22 |
5 |
|
3 |
15 |
13 |
5 |
+ |
= |
|
8+1 |
= |
|
|
|
|
|
|
|
2+2 |
|
|
|
1+5 |
1+3 |
|
|
|
- |
|
|
|
|
|
9 |
|
8 |
1 |
4 |
5 |
|
3 |
6 |
4 |
5 |
+ |
= |
|
4+5 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
9 |
I HAVE COME |
I |
HAVE |
COME |
- |
- |
- |
- |
I |
HAVE |
COME |
9 |
1+4+4 |
I+ HA+VE+CO+ME |
9 |
8-1-22-5 |
3-15-13-5 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
9 |
1+4+4 |
I+ HA+VE+CO+ME |
9 |
8-1-4-5 |
3-6-4-5 |
+ |
= |
45 |
4+5 |
9 |
NINE |
9 |
9 |
9 |
I HAVE COME |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
I |
HAVE |
COME |
- |
- |
- |
- |
- |
- |
- |
1 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
2 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
3 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
4 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
5 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
6 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
7 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
8 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
9 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
10 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
11 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
12 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
13 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
14 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
15 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
16 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
17 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
18 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
19 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
20 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
21 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
22 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
23 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
24 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
25 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
26 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
27 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
28 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
29 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
30 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
31 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
32 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
33 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
34 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
35 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
36 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
37 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
38 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
39 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
40 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
820 |
360 |
First Total |
360 |
1440 |
1440 |
- |
- |
3240 |
- |
360 |
- |
360 |
8+2+0 |
3+6+0 |
Add to Reduce |
3+6+0 |
1+4+4+0 |
1+4+4+0 |
- |
- |
3+2+4+0 |
- |
3+6+0 |
- |
3+6+0 |
10 |
9 |
Second Total |
9 |
9 |
9 |
- |
- |
9 |
- |
9 |
- |
9 |
1+0 |
- |
Reduce to Deduce |
- |
- |
- |
|
|
- |
|
- |
|
- |
1 |
9 |
Essence of Number |
9 |
9 |
9 |
- |
- |
9 |
- |
9 |
- |
9 |
HURRAH FOR RAH FOR RAH FOR RAH HURRAH
I
HAVE
COME
153 x 12 = 1836 1836 = 12 x 153
I
INVOKE THEE BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB OF RAINBOW LIGHT
THE SIRIUS MYSTERY
Was Earth visited by intelligent beings from a planet in the system of the star Sirius
Robert K. G. Temple 1976
CHAPTER TWO
A Fairytale
Page 55
Once there was a beautiful bright star named Sothis, as fine as any goddess. She had long held a dominant position in the sky and been admired by all for her beauty. But of late she had felt unwell; indeed, it distinctly seemed to her that she felt her life ebbing away. Night by night she fell further from her high, proud place in the sky — closer to the skyline and what must surely be her certain death. Failing, failing, she clung to any companion star she could find, only to discover that they too felt this deathly weakness, and were sinking into a kind of sweet sleep. What was she to do? She felt her strength going nightly; she could hardly shine the way she wished. Once she had been as glamorous, as scintillating a queen of the night sky as ever had been seen. And now she felt she was as worthless as any old woman, her position at the centre of things gone, and her beauty fading steadily. . . . Towards the end she wept bitterly and her eyes reddened with the shame of her coming eclipse. She was so ill, her discomfort so acute. She was almost glad to welcome her fate, and that terrible line of earth and hills which she had dreaded, at last devoured her brilliant presence entirely. The night came and she was no more. Beneath the earth she rested in the balm of death.
But because this queen of the sky had been good during her ascendancy and had not been too haughty or vulgar, there were many admirers of her beauty to mourn her passing. Down on the lowly earth moved less brilliant mortals. Many nights they had stood in awe of the beautiful Sothis when she was in her prime. Some, indeed, had watched her birth when, red as a baby from the womb or as the Sun when he rises daily, this bright and beautiful immortal (or so she had seemed) had first flashed the most piercing and glittering rays of her incomparable presence sideways across the earth seeming almost to scorch the very ground with her flaming beauty. This first appearance had been brief, for immediately behind her had come the all-engrossing grandeur of the great Sun himself. Heedless of Sothis, he soon washed the sky white with his splendour. All the stars dissolved like tiny drops of milk, lost when their bowl is suddenly filled to overflowing. So great was the Sun, so irresistible his presence — he whom some compared to a great wild bull bellowing and lording it over the heavens and the earth alike. But every night the Sun retired to his resting place, and night by night the flaming goddess Sothis entranced and bewitched mortal men, as she rose steadily higher and grew to great perfection. And further and further ahead of the Sun she rose each night.
Page 56
But with her absence, how barren, how bleak, the sky now seemed. The disappearance of this renowned beauty from the vault of the heavens seemed such an unbearable deprivation. How the goddess was missed! Many mortal men shed bitter tears not to see the beauty who had infatuated them with her glancing eyes, her winsome smile, her slim waist and delicate feet. Were they never again to see her light tread in the celestial round dance of the stars ?
Day followed night, and the sorrow of many became soothed by time's healing wings, which slowly fold themselves around the sufferer in invisible layers of sleep, forgetfulness, and the new interests which life must bring. The beautiful Sothis, though mourned, was lost only to the sight. For all remembered her, and that image of her burned into memory was so glorious, that to expect her actual presence came to seem almost too much to ask of many-hued, shifting, and various Fate.
Seventy days had elapsed. Hope had long since been abandoned to acceptance; sorrow had become numb. A shepherd had gone out before sunrise to his lambs now fully six months old. The Sun would not long be delayed, it was approaching the time of daybreak. The shepherd looked towards the skyline in the east. And as he looked, he saw the horizon burn with a refulgent fire, and the shimmering red birth of the goddess. It was she, it must be she! No other star had that aura, such a penetrating persona. The shepherd stood transfixed; his eyes were seared by this fresh star, dripping it seemed, with the waters of life, and aflame also with the fiery resurgence of its renewed existence. As the quick Sun behind her moved up to erase Sothis's tantalizingly brief appearance, the shepherd turned and ran to the nearest settlement. 'Awake! Awake! The goddess has returned! She is reborn, immortal, come back from death!' And all the devotees assembled with excitement and renewed hope. They heard the tale, saw for themselves the next morning, and they instituted a yearly celebration. This celebration exists to this day, and many are the temples, many are the priests, who gather in the month of July throughout all our land of Egypt to witness the much-heralded yearly rebirth of the great Sothis, Mother Isis, bestower of concord and blessings to her people, And in honour of her seventy days spent in the underworld, we have instituted the seventy-day embalming and mummification rites for our own dead, as it is pious and indeed right that we should do.
I wrote this fairytale, from the point of view of an ancient Egyptian priest, in order to convey to the reader not only certain facts but also certain equally important and, unfortunately, extinct emotions. For the attitudes and feelings of ancient peoples are just as important as the dry description of what facts they believed.
Sothis was the ancient Egyptian name for Sirius as it was spelt by the Greeks. The Egyptians had a Sothic calendar and the first appearance of Sirius on the eastern horizon just before the sun — after 70 days in the Duat (Underworld) — was what is called the heliacal rising (or 'with-the-sun' rising) of Sirius. This event occurred once a year and gave rise to the Sothic Calendar, whose details we need not go into.
SOTHIS = 90 = SOTHIS
SOTHIS = 45 = SOTHIS
SOTHIS = 27 = SOTHIS
SOTHIS = 9 = SOTHIS
SOTHIS OSIRIS IS
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1 |
3 |
|
33 |
15 |
|
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|
2 |
4 |
|
32 |
23 |
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|
3 |
2 |
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
6 |
|
89 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
|
15 |
|
175 |
85 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
49 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
|
15 |
|
158 |
77 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+6 |
|
3+0 |
Reduce to Deduce |
3+3+3 |
1+6+2 |
3+6 |
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
32 |
23 |
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
4 |
6 |
|
89 |
35 |
|
|
|
|
|
|
|
|
|
|
|
6 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
|
49 |
22 |
|
|
|
|
|
|
|
|
|
|
|
8 |
2 |
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
9 |
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
3+6 |
|
3+0 |
Reduce to Deduce |
3+3+3 |
1+6+2 |
3+6 |
|
|
|
|
|
1+2 |
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
PREHISTORIC GERM WARFARE
Is Mankind an Alien Experiment?
Robyn Collins 1980
CHAPTER 6
The Egyptian Connection
Page 79
In F. H. Brooksbank's fascinating 1924 book Legends of Ancient Egypt: Stories of Egyptian Gods and Heroes, the author outlines an extraordinary legend relating to the arrival of the ancient Egyptian deities Isis and Osiris.
Brooksbank remarked that the first to greet Isis and Osiris was an Egyptian astronomer and Holy Man who said 'Long have I known of your coming, but never did I think that I should be the first to greet you here on Earth'. Thereupon in reply, Osiris said:' ...I charge thee straightly to tell no man what thou knowest, whence we came or why'.
'LONG HAVE I KNOWN OF YOUR COMING,
BUT NEVER DID I THINK THAT I SHOULD BE THE FIRST TO GREET YOU HERE ON EARTH'.
Thereupon in reply, Osiris said:
I CHARGE THEE STRAIGHTLY TO TELL NO MAN WHAT THOU KNOWEST, WHENCE WE CAME OR WHY'.
ANCIENT EGYPT - THE LIGHT OF THE WORLD
Gerald Massey
Book 12
Page 898
"When Horus returns to his father with his work accomplished on earth and in Amenta he greets Osiris in a “discourse to his father”. In forty addresses he enumerates what he has done for the support and assistance of Osiris in the earth of Seb. Each line commences with the formula, “Hail, Osiris, I am thy son Horus. I have come!”
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
4 |
|
30 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
6 |
|
89 |
53 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
4 |
2 |
AM |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
THY |
53 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
3 |
SON |
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
7 |
5 |
HORUS |
81 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
2+4 |
Add to Reduce |
4+0+5 |
2+0+7 |
7+2 |
|
|
|
|
|
|
|
|
1+6 |
7+2 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
Gerald Massey
Book 12
Page 898
"When Horus returns to his father
with his work accomplished on earth and in Amenta
he greets Osiris in a “discourse to his father”.
In forty addresses he enumerates what he has done
for the support and assistance of Osiris in the earth of Seb.
Each line commences with the formula,
“Hail, Osiris, I am thy son Horus. I have come!”
"HAIL OSIRIS I AM THY SON"
H |
= |
8 |
4 |
HAIL |
30 |
21 |
3 |
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
1 |
I |
9 |
9 |
9 |
A |
= |
1 |
2 |
AM |
14 |
5 |
5 |
T |
= |
2 |
3 |
THY |
53 |
17 |
8 |
S |
= |
1 |
3 |
SON |
48 |
12 |
3 |
- |
- |
27 |
19 |
First Total |
|
|
|
- |
- |
2+7 |
|
Add to Reduce |
2+4+3 |
9+9 |
3+6 |
|
|
9 |
10 |
Second Total |
|
|
|
- |
- |
- |
|
Reduce to Deduce |
- |
1+8 |
- |
- |
- |
9 |
1 |
Essence of Number |
|
|
|
AMENTA
AMEN THE NAME
'HAIL OSIRIS I AM THY SON HORUS I HAVE COME'
|
|
|
4 |
|
30 |
21 |
|
|
|
|
6 |
|
89 |
35 |
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
2 |
|
14 |
5 |
|
|
|
|
3 |
|
53 |
17 |
|
|
|
|
3 |
|
48 |
12 |
|
H |
= |
8 |
5 |
HORUS |
81 |
27 |
9 |
|
|
|
1 |
|
9 |
9 |
|
|
|
|
4 |
|
36 |
18 |
|
|
|
|
4 |
|
36 |
18 |
|
|
|
|
|
First Total |
|
|
|
- |
- |
5+5 |
3+3 |
Add to Reduce |
4+0+5 |
1+7+1 |
7+2 |
|
|
|
|
Second Total |
|
|
|
- |
- |
1+0 |
- |
Reduce to Deduce |
|
- |
|
- |
- |
1 |
|
Essence of Number |
|
|
|
40 X 405 = 16'200
40 X 171 = 6'48
40 X 72 = 2'880
40 X 9 = 360
3+6+0 = 9
1 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
2 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
3 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
4 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
5 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
6 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
7 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
8 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
9 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
10 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
11 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
12 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
13 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
14 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
15 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
16 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
17 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
18 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
19 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
20 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
21 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
22 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
23 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
24 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
25 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
26 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
27 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
28 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
29 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
30 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
31 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
32 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
33 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
34 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
35 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
36 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
37 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
38 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
39 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
40 |
19 |
HAIL OSIRIS I AM THY SON |
243 |
99 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
8 |
- |
9 |
- |
|
6 |
1 |
9 |
- |
9 |
1 |
|
9 |
|
- |
- |
|
|
8 |
- |
|
1 |
6 |
5 |
|
|
|
7+2 |
= |
|
= |
|
|
|
|
8 |
- |
9 |
- |
|
15 |
19 |
9 |
- |
9 |
19 |
|
9 |
|
- |
- |
|
|
8 |
- |
|
19 |
15 |
14 |
|
|
|
1+4+4 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
1 |
- |
3 |
|
- |
- |
- |
9 |
- |
- |
|
- |
|
1 |
4 |
|
|
- |
7 |
|
- |
- |
- |
|
|
|
2+7 |
= |
|
= |
|
|
|
|
- |
1 |
- |
12 |
|
- |
- |
- |
18 |
- |
- |
|
- |
|
1 |
13 |
|
|
- |
25 |
|
- |
- |
- |
|
|
|
9+0 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
8 |
1 |
9 |
12 |
|
15 |
19 |
9 |
18 |
9 |
19 |
|
9 |
|
1 |
13 |
|
|
8 |
25 |
|
19 |
15 |
14 |
|
|
|
2+4+3 |
= |
|
= |
|
|
|
|
8 |
1 |
9 |
3 |
|
6 |
1 |
9 |
9 |
9 |
1 |
|
9 |
|
1 |
4 |
|
|
8 |
7 |
|
1 |
6 |
5 |
|
|
|
9+9 |
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
-- |
|
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
- |
|
|
- |
|
|
|
- |
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
-- |
|
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
- |
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
-- |
|
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
- |
|
|
- |
- |
|
occurs |
x |
|
= |
|
1+6 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
|
|
|
|
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
/ |
|
|
|
|
|
|
|
|
|
|
4+5 |
- |
|
1+9 |
- |
9+9 |
- |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
/ |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1+0 |
- |
1+8 |
- |
- |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
I |
9 |
9 |
9 |
4 |
HAVE |
36 |
18 |
9 |
4 |
COME |
36 |
18 |
9 |
6 |
AMENTA |
- |
- |
- |
|
A |
1 |
1 |
|
|
M+E |
18 |
9 |
|
|
N+T+A |
35 |
8 |
|
6 |
AMENTA |
54 |
18 |
18 |
- |
- |
5+4 |
1+8 |
1+8 |
6 |
AMENTA |
9 |
9 |
9 |

MAGI THE MAGIC 1972
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THE
PROPHET
Kahil Gibran
Page 82/83/84/85/86
"If these be vague words, then seek not to clear them.
Vague and nebulous is the beginning of all things, but not their end,
And I would have you remember me as a beginning.
Life, and all that lives, is conceived in the mist and not in the crystal.
And who knows but a crystal is mist in decay
This would I have you remember in remembering me:
That which seems most feeble and bewildered in you is the strongest and most determined.
Is it not your breath that has erected and hardened the structure of your bones?
And is it not a dream which none of you remember having dreamt, that builded your city and fashioned all there is in it?
Could you but see the tides of that breath you would cease to see all else,
And if you could hear the whispering of the dream you would hear no other sound.
But you do not see, nor do you here, and it is well.
The veil that clouds your eyes shall be lifted by the hands that wove it,
And the clay that fills your ears shall be pierced by those fingers that kneaded it.
And you shall see
And you shall hear.
Yet you shall not deplore having known blindness, nor regret having been deaf
For in that day you shall know the hidden purposes in all things,
And you shall bless darkness as you would bless light.
After saying these things he looked about him,
and he saw the pilot of his ship standing by the helm
and gazing now at the full sails and now at the distance.
And he said:
Patient, over patient, is the captain of my ship.
The wind blows, and restless are the sails;
Even the rudder begs direction;
Yet quietly my captain awaits my silence.
And these my mariners, who have heard the
choir of the greater sea, they too have heard me
patiently.
Now they shall wait no longer.
I am ready
The stream has reached the sea, and once more
THE GREAT MOTHER
holds her son against her breast.
Fare you well, people of Orphalese.
This day has ended.
It is closing upon us even as the water-lily upon its own tomorrow.
What was given us here we shall keep,
And if it suffices not, then again must we come together and together
stretch our hands unto the giver.
Forget not that I shall come back to you.
A little while, and my longing shall gather dust and foam for another body.
A little while, a moment of rest upon the wind, and another woman shall bear me.
Farewell to you and the youth I have spent with you.
It was but yesterday we met in a dream.
You have sung to me in my aloneness, and I of your longings have built a tower in the sky.
But now our sleep has fled and our dream is over, and it is no longer dawn.
The noontide is upon us and our half waking has turned to fuller day, and we must part.
If in the twilight of memory we should meet once more,
we shall speak again together and you shall sing to me a deeper song.
and if our hands should meet in another dream we shall build another tower in the sky.
So saying he made a signal to the seamen,
and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward.
And a cry came from the people as from a single heart,
and it rose into the dusk and was carried out over the sea like a great trumpeting.
Only Almitra was silent, gazing after the ship until it had vanished into the mist.
And when all the people were dispersed she still stood alone upon the sea-wall,
remembering in her heart his saying:
A little while, a moment of rest upon the wind, and another woman shall bear me.'
A LITTLE WHILE A MOMENT OF REST UPON THE WIND AND ANOTHER WOMAN SHALL BEAR ME
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1 |
A |
1 |
1 |
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6 |
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78 |
24 |
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5 |
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57 |
30 |
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1 |
A |
1 |
1 |
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6 |
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80 |
26 |
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6 |
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2 |
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21 |
12 |
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4 |
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62 |
17 |
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4 |
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66 |
21 |
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2 |
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3 |
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33 |
15 |
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5 |
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4 |
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50 |
23 |
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3 |
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19 |
10 |
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1 |
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7 |
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81 |
36 |
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9 |
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5 |
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66 |
21 |
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5 |
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52 |
16 |
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2 |
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4 |
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26 |
17 |
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4 |
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2 |
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18 |
9 |
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9 |
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First Total |
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5+3 |
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6+2 |
Add to Reduce |
7+1+1 |
2+7+9 |
8+1 |
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1+2 |
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1+2 |
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2+4 |
1+8 |
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Second Total |
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1+3 |
Reduce to Deduce |
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1+8 |
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Essence of Number |
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